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Amphitrite: Greek Goddess-Queen of the Sea

For those who know me well know that I have a deep connection and fascination with the Gods, Goddesses and all spirits of the sea. I feel like most of the deities of the sea are not talked about enough and today’s blog post is honor and share with my readers all about the amazing Greek sea goddess Amphitrite.

AMPHITRITE was the goddess-queen of the sea, wife of Poseidon, and eldest of the fifty Nereides. She was the female personification of the sea–the loud-moaning mother of fish, seals and dolphins.

When Poseidon first sought Amphitrite’s hand in marriage, she fled his advances, and hid herself away near Atlas in the Ocean stream at the far ends of the earth. The dolphin-god Delphin eventually tracked her down and persuaded her to return to wed the sea-king.

Amphitrite was depicted in Greek vase painting as a young woman, often raising her hand in a pinching gesture. Sometimes she was shown holding a fish. In mosaic art the goddess usually rides beside her husband in a chariot drawn by fish-tailed horses or hippokampoi. Sometimes her hair is enclosed with a net and her brow adorned with a pair of crab-claw “horns”.

Her name is probably derived from the Greek words amphis and tris, “the surrounding third.” Her son Tritôn was similarly named “of the third.” Clearly “the third” is the sea, although the reason for the term is obscure. Amphitrite was essentially the same as the primordial sea-goddess Thalassa. Her Roman equivalent was Salacia whose name means “the salty one.” SOURCE

Amphitrite (1866), by François Théodore Devaulx (1808-1870). North façade of the Cour Carrée in the Louvre palace, Paris.

Birth & Family

According to Hesiod (c. 700 BCE) in his Theogony, Amphitrite was the daughter of Nereus, a sea god who was sometimes referred to as the ‘old man of the sea’, and Doris, an Oceanid who was the daughter of the Titans Oceanus and Tethys. Amphitrite was one of the 50 Nereids.

And Nereus and Doris, lovely-haired
Daughter of Oceanus circling stream,
Begot and bore, in the unfruitful sea,
Their children, most beloved of goddesses:
Protho, Eukrante, Sao, Amphitrite,
Eudore, Thetis, Galene, Glauce, and
Cymothoe, Speio, and quick Thalia,
And lovely Pasithea, Erato and
Eunike with her rosy arms, and fair
Melite, Eulimene, Agave,
Doto, Proto, Pherousa, Dynamene,
Nesaia, Aktaia, Protomedeia, and
Doris, Panope, and the beautiful
Galatea, and the lovely Hippothoe,
Rosy-armed Hipponoe, Cymodoce,
Who, acting with trim-ankled Amphitrite
And Cymatolege, easily can still
Waves on the misty sea, and calm the blasts
Of raging winds.


(Hesiod, Theogony, 241-259)

Nereids

The Nereids were beautiful sea nymphs, with the highest-regarded being Amphitrite and her sister Thetis. They are represented in Greek art as sitting on dolphins and holding either tridents or garlands of flowers. Their primary duty was to attend to Poseidon. After Amphitrite married Poseidon, the Nereids became part of their royal court.

They were worshiped by sailors and fishermen with altars dedicated to them located on the seashore. Offerings of oil, honey, and milk were made to them, and sailors invoked them so they may have a favorable voyage and safe return to shores. SOURCE

Amphitrite Wife of Poseidon, The Queen of the Sea Goddess.Amphitrite is commonly referred to as the Nereids, one of the 50 nymph daughters of the Greek sea god Nereus, and his wife, Oceanid Doris. This indeed, is descended from the Amphitrite given by Hesiod (Theogony).

Etymology

The etymology of the name “Amphitrite” (Greek Ἀμφιτρίτη, translit. Amphitrítē) is uncertain. Its first element seems to be the Greek prefix ἀμφί- (amphí-), meaning “around, on each side,” while the second element resembles the Greek adjective τρίτος (trítos), meaning “third,” but also the verb τιτραίνω (titraínō), meaning “to pierce.” 

Thus, Amphitrite’s name could possibly be interpreted as either “around the third” or, alternatively, as the only slightly less nonsensical “piercing on each side.” Which of these etymologies is correct—or whether the true etymology is entirely different—is impossible to know.

Titles and Epithets

As a daughter of Nereus, Amphitrite was a “Nereid” (Νηρηΐς, Nērēḯs); for sources that made her a daughter of Oceanus, of course, she was an “Oceanid” (Ὠκεανίς, Ōkeanís).

Amphitrite also had a number of colorful individual epithets in ancient literature. She could be described as εὔσφυρος (eúsphyros, “fair-ankled”), βοῶπις (boôpis, “ox-eyed”), or κυανῶπις (kyanôpis, “dark-eyed”), terms that highlighted her beauty; or by the more obscure χρυσηλάκατος (chrysēlákatos, “she of the golden spindle”); or even as Ποσειδωνία (Poseidōnía, “she who is Poseidon’s”), emphasizing her role as Poseidon’s queen. Amphitrite may have also shared the Homeric epithet ἁλοσύδνη (halosýdnē, “sea-born”) with her sister Thetis.[1] SOURCE

Poseidon and Amphitrite, Greco-Roman mosaic 4th A.D., Musée du Louvre. Poseidon (Roman Neptune) and Amphitrite ride across the sea in a chariot drawn by four Hippocamps (fish-tailed horses). The god holds a trident and the two are both crowned with shining aureoles. They are accompanied by a pair of winged Erotes (love-gods) who bear a billowing, rainbow-like sash.

More Facts About Amphitrite

  • The “Bibliotheca,” a collection of Greek myths and legends collected in the 1st or 2nd century, describes Amphitrite as a daughter of Oceanus and Tethys.
  • Amphitrite at first didn’t want to marry Poseidon and hid from him.
  • Another god, Delphin, talked Amphitrite into marrying Poseidon and earned a place in the sky.
  • Just as the Romans called Poseidon Neptune, they called Amphitrite Salacia.
  • The Romans considered Salacia to be the goddess of salt water.
    • Amphitrite is also believed to have given birth to a variety of sea-creatures including seals and dolphins.
  • Poseidon wasn’t a good husband and cheated on Amphitrite with other nymphs and goddesses.
  • On one occasion, Amphitrite got so angry that she tossed magical herbs in the nymph Scylla’s bath, and the herbs turned Scylla into a horrible monster.
  • Later Greeks viewed Amphitrite as a personification of the sea, which was also called Thalassa.
  • Many ships in both the US and British Royal Navies were named after this goddess.
  • There is also an asteroid called 29 Amphitrite.
  • The Louvre has a statue of Amphitrite that was carved by Jacques Prou in the early 18th century.
  • “The Triumph of Neptune and Amphitrite,” which was painted by Nicole (Nicolas) Poussin in 1634, depicts their marriage. SOURCE

Amphitrite is a sea goddess that is truly worthy of honoring and even to this day statues and paintings of her done over the centuries can be found across Europe and the US. It is said if you visit a statue of her and leave an offering of a coin or sea shell she will grant you good luck upon your way. I plan at some point to create something in her honor and will put it on display. She is certainly a sea goddess I have much respect for.

Further Resources

Greek mythology continues to appear in popular movies and books today but have you ever wondered about where these characters started out? Discover the origins of your favorite characters from Greek mythology with this collection of profiles to tell you who’s who in classical lore!

In Greek Mythology, you will discover the backstories of the heroes, villains, gods, and goddesses that enjoy popularity in today’s shows and films. With comprehensive entries that outline each character’s name, roles, related symbols, and foundational myths, you can get to know the roots of these personas and better understand the stories they inspire today. With this character-focused, handy reference, you will never be confused about Ancient Greece!

Poseidon and Amphitrite: The God and the Queen of the Seas – Greek Mythology – See U in History

Amphitrite Goddess

Amphitrite – an overlooked Greek goddess

Amphitrite

In ancient Greek mythology, Amphitrite was a sea goddess and wife of Poseidon and the queen of the sea.

Composed in a more intuitive than traditional way and dedicated to the Greek sea goddess known as Amphitrite. This track has a light, etheric feel to it. But there is also a slightly darker, more mysterious variation to this track called “Legacy of Amphitrite”. Can be used for listening, relaxing, studying or even for rituals. Enjoy!


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The Slavic Mother Goddess Mokosh

The Gods and Goddesses of the Slavic pantheon are ones I feel connected to and have studied for years. maybe due to having Slavic blood running through me or perhaps how they resonate with my beliefs and spiritual path. Either way I want to begin featuring each of the Slavic pantheon with posts on my blog here and I have decided to begin with the most important Goddess which is Mokosh (Mokoš). She is such an important Goddess among the Slavic pantheon that she is still revered to this day as she deserves.So let us get into all there is known about this Mother Goddess.

Getting to know Mokosh

There are seven primordial gods in Slavic mythology, and only one of them is female: Mokosh. In the pantheon in the Kievan Rus’ state, she is the only goddess at all, and so her specific role in Slavic mythology is vast and varied, and, more aptly perhaps, foggy and damp. Mother earth and house spirit, tender of sheep and spinner of fate, Mokosh is the supreme Slavic goddess. 

In Slavic mythology, Mokosh, sometimes transliterated as Mokoš and meaning “Friday,” is Moist Mother Earth and thus the most important (or sometimes only) goddess in the religion. As a creator, she is said to have been discovered sleeping in a cave by a flowering spring by the spring god Jarilo, with whom she created the fruits of the earth. She is also the protector of spinning, tending sheep, and wool, patron of merchants and fishermen, who protects cattle from plague and people from drought, disease, drowning, and unclean spirits. 

The origins of Mokosh as mother earth may date to pre-Indo-European times (Cuceteni or Tripolye culture, 6th–5th millennia BCE) when a near-global woman-centered religion is thought to have been in place. Some scholars suggest she may be a version of Finno-Ugric sun goddess Jumala.

In 980 CE, Kievan Rus emperor Vladimir I (died 1015) erected six idols to Slavic gods and included Mokosh in 980 CE, although he took them down when he converted to Christianity. Nestor the Chronicler (11th century CE), a monk at the Monastery of the Caves in Kyiv, mentions her as the only female in his list of seven gods of the Slavs. Versions of her are included in the tales of many different Slavic countries. SOURCE

Mokosh, also called Mokoš, was worshiped by the ancient Slavs as the Goddess of the Earth and fertility. Mokosh is the Goddess who gives and takes life, spinner of the thread of life, giver of the water of life, fertility, and health in marriage. She is most likely a later and more strongly personified variant of the Slavs’ elder earth Goddess: The Damp Mother Earth Goddess.

Appearance and Reputation

Surviving images of Mokosh are rare—although there were stone monuments to her beginning at least as long ago as the 7th century. A wooden cult figure in a wooded area in the Czech Republic is said to be a figure of her. Historical references say she had a large head and long arms, a reference to her connection with spiders and spinning. Symbols associated with her include spindles and cloth, the rhombus, and the Sacred Tree or Pillar.

Some Slavic peasants felt it was wrong to spit on the earth or beat it. During the Spring, practitioners considered the earth pregnant: before March 25 (“Lady Day”), they would neither construct a building or a fence, drive a stake into the ground or sow seed. When peasant women gathered herbs they first lay prone and prayed to Mother Earth to bless any medicinal herbs. SOURCE

Key Takeaways: Mokosh

  • Associated Deities: Tellus, Ziva (Siva), Rusalki (water nixies), Lada 
  • Equivalents: St. Paraskeva Pianitsa (Christian Orthodox); loosely comparable to the Greek Titan Gaia, Hera (Greek), Juno (Roman), Astarte (Semitic)
  • Epithets: Goddess Who Spins Wool, Mother Moist Earth, Flax Woman
  • Culture/Country: Slavonic Culture, Eastern and Central Europe
  • Primary Sources: Nestor Chronicle (a.k.a. Primary Chronicle), Christian-recorded Slavic tales
  • Realms and Powers: Power over the earth, water, and death. Protector of spinning, fertility, grain, cattle, sheep, and wool; fisherman and merchants. 
  • Family: Wife to Perun, lover to Veles and Jarilo
Modern wooden statue of Mother Goddess Mokosh in the Czech Republic

October – The month of Mykosh

Home, calmness, softness, gratitude, feminine grace and creativity are the quiet feelings that permeate the month of Vinotok – October. This is the women’s month, ruled by the East Slavic goddess Mokosh, the great mother, the only goddess in Vladimir of Kiev pantheon, who watches over women. We meet her all over “Slavija” on traditional embroideries, where she is usually depicted as a female creature with birds (symbol of passage), carrying another creature. She is a protector of predicates, women’s affairs, midwives. Her holiday is the last Friday of October month. At that time she is already in the last trimester of pregnancy, when at the winter solstice – she gives birth to a “new sun”.

Mokoš leads us to tune in to ourselves in the fall. All the weaving and sewing of the new future can be successful in the long run only if we know how to look deeply and analytically into the past, learn from mistakes and then resolutely clean up with everything that no longer serves us now. Above all, it is also a time of women’s deepening, where it is important for a man to stand by her side. In the old days, people expressed their love by having a boy carry her spinning wheel home after finishing with spinning together with other girls. Continue reading HERE.

Slavic mysticism is mostly obscure folklore, which is a shame because some mythologies, like Egyptian, Indian, and Greek, have much-written information about them. Some myths came from Slavic lands before Christianity, while others came from complicated Christian bias. So, here is a list of gods and goddesses from Slavic cultures. By reading this book, you can find out about many Slavic goddesses such as Mokosh, Zorya, Lada, Vesna, Marzanna and Many More.

Mokosh, like Brigid, is associated with wells, springs and moisture; the name Mokosh comes from the root ‘mol’ meaning ‘moisture’, and is connected with the Slavic words mokry and moknut (‘wet’ and ‘to get wet’) . Mokosh brings the water of life and protects the life-giving waters on which human and animal existence depend. In this way Mokosh gives life to plants and animals, and is often portrayed with them. She is an important Slavic Mother Goddess, embodying fertility, femininity, prosperity, protection, health, good luck, abundance, and a successful future.

Mokosh is also a warrior goddess, in her fierce aspect as a goddess of protection. One of her epithets is ‘She who strikes with her wings’. The fact that she is a winged Goddess indicates her power and that which she grants to her priestesses and devotees, to travel between the worlds in trance, dream, and vision, for blessing and for healing on behalf of the community and all who are in need. Mokosh is also connected to butterflies, symbols of transformation, and bees, symbols of priestesses in antiquity. Continue reading HERE.

The symbol of Mother Goddess Mokosh

Why is Mokosh still important?

Today, Mokosh is popular as a powerful life-giving force and protector of women. She has a big following amongst Rodnovery women.

They often make small idols out of stone for prayer. The stones are called Mokosh-stones or breast-shaped boulders, and it’s believed that they hold power.

As mentioned above, many places can be found bearing the name of Mokosh, or a similar name. In Eastern Europe, we can find even more villages named after her, and stories that depict her as a woman with uplifted hands.

Mokosh is celebrated in the Rodnovery tradition twice per year, once in Spring around the first or second Friday of May, and once in Fall on the last Friday of October. SOURCE


Meet Mother Mokosh, the Slavic goddess of earth, fertility, love and growth. She is truly amazing, as not much is known about her origins – according to legends, she just appeared out of the blue. She is a creature of emotions – a lover, temptress, mother protecting her children. And her children can be found anywhere, as she was one of the gods who created humankind in Slavic mythology. The most important festivity when this Slavic deity is cherished is Kupala night. It takes place on the day of summer solstice and is an opportunity to find eternal love and a soulmate.

What is associated with Mokosh

  • Spinning yarn
  • Weaving
  • Shearing
  • Protection
  • Childbirth
  • Spell casting
  • Fate
  • Fertility
  • Horses
  • Earth
  • Water
  • Rain
  • Tending Sheep
  • Wool
  • Matron of merchants and fishermen, who protects cattle from plague and people from drought, disease, drowning, and unclean spirits.

Further Resources:

Mokosz/Mokosh – Slavic Great Mother and Protector of Women

The Ancient Earth Mother

Slavic Traditions & Mythology

Slavic Mythology

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Medusa: The Famous Gorgon of Greek Mythology

Greek mythology has been a fascination of mine every since I was a kid. In fact my very first book regarding any mythology was about the Greek Pantheon. One figure that always stood out for me was the story of the most famous of Gorgons which is Medusa. The tale of Medusa that most know of is nothing less than tragic and a cruel display of the power of the Greek gods and goddesses that we can see in other stories. But perhaps there is another way of see what happened to Medusa as something perhaps more benevolent. Is it possible that Medusa was not cursed but turned into a Gorgon for a form of protection and vengeance? I will explore this idea later on in this post. For now let us explore the origins, life and what is known of Medusa.

The Untold Story of Medusa by Leah M Mariani

While we all know of Medusa with her crown of snakes, less is known of how Medusa became Medusa. There are two origin stories from Greek Mythology, both leading to her well-known grisly end.

The first origin story sees Medusa originally as a stunning young woman, with beautiful ringlets of hair. So alluring is her beauty, that she has many suitors. While praying at the temple of Athena, she catches the eye of the sea god Poseidon, who rapes her (or seduces her, depending on who is telling the story) in the temple. Athena, who is so enraged at her temple being defiled, takes out her revenge on poor Medusa. It has been noted that Athena, who is the goodness of war, rarely supports women. Perhaps she is the precursor to the jealous older woman so often portrayed in the European fairy tales that were to follow. To exact her revenge, Athena takes away Medusa’s most prized feature: her beautiful hair. Again, this is reminiscent of later fairy tales, specifically Rapunzel who is punished for sleeping with a prince by having her hair removed.

Athena makes Medusa unappealing to men by turning her hair into writhing snakes. It’s a classic case of victim blaming. If that isn’t enough, Athena ensures Medusa will forever remain alone by gifting her with a gaze that turns others to stone in an instant. Here we witness the creation of the original ‘death stare’, a weapon that has since been passed onto generations of women. And while over time, the death stare as become less potent and less deadly, it is by no means less scary. I know because my mother possesses such a stare that not only stops you in your tracks but also takes your breath away.

Medusa, however, did not wish to use her powers on mortals and instead retreated to a dark cave. She could not look upon a friend, or even an animal, without killing them, and so she lived a life of solitude. However, this was not to last. Even though Medusa never wanted to harm anyone, the knowledge that she had the power to do so, meant that she could never live a quiet life. Soon enough, men came in search of her and eventually, Perseus, the son of Zeus, finds her and cuts off her head while she sleeps.

The alternate origin story sees Medusa begin life as a Gorgon monster, borne of two sea monsters, and one of three daughters. As a Gorgon monster, Medusa is terrible and fierce and is much less sympathetic than her alter-ego, once-human-form. But what this version lacks in beauty, she makes up for in companionship, because in this version Medusa lives with her two sisters. These Gorgons are described as having snakes on their heads, wings on their back and large mouths with lolling tongues. Whether the sisters were immune to Medusa death stare, (perhaps possessing the same powers themselves) or they were protected by the darkness of the cave, we do not know. We do know her sisters, Stehnno and Euryale, mourned her death. They gave chase to Perseus after he murdered Medusa, and he escaped their clutches thanks only to Athena’s help (she definitely had a thing against Medusa). Upon Perseus’ escape, the sisters release a loud, mournful howl, which is chilling to the bone. Continue reading HERE.

Central panel of a mosaic floor with the head of Medusa, 1st – 2nd century CE. National Museum of Rome, Baths of Diocletian, Rome. SOURCE

Medusa

By Louise Bogan

I had come to the house, in a cave of trees,

Facing a sheer sky.

Everything moved,—a bell hung ready to strike,

Sun and reflection wheeled by.

When the bare eyes were before me

And the hissing hair,

Held up at a window, seen through a door.

The stiff bald eyes, the serpents on the forehead

Formed in the air.

This is a dead scene forever now.

Nothing will ever stir.

The end will never brighten it more than this,

Nor the rain blur.

The water will always fall, and will not fall,

And the tipped bell make no sound.

The grass will always be growing for hay

Deep on the ground.

And I shall stand here like a shadow

Under the great balanced day,

My eyes on the yellow dust, that was lifting in the wind,

And does not drift away.

Early Life of Medusa

Both Aeschylus and Hesiod mention Medusa in some of their early stories. They claim that she spent most of her life in Sarpedon, which was close to Cisthene with her Gorgon sisters and also died there. Hesiod used her in Theogony. Dionysios Skytobrachion wrote about her during the second century and claimed that she both lived and died in an area of Libya. Herodotus found some evidence that she appeared in Berber mythology where she was a major part of their religion.

Legend says that Medusa was one of three children born to Phorcys. Also known as Phorkys, he lay with his sister Ceto. The two had three daughters, including Euryale and Stheno. Though both were marine deities, their children were chthonic monsters. They also had another group of sisters called the Graeae who appeared in Prometheus Bound written by Aeschylus. He claimed that both groups of sisters were monsters. SOURCE

The Complete World of Greek Mythology by Richard Buxton A full, authoritative, and wholly engaging account of these endlessly fascinating tales and of the ancient society in which they were created.
Greek myths are among the most complex and influential stories ever told. From the first millennium BC until today, the myths have been repeated in an inexhaustible series of variations and reinterpretations. They can be found in the latest movies and television shows and in software for interactive computer games. This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed―their themes, their relevance to Greek religion and society, and their relationship to the landscape.

Medusa’s Sisters and Birth

Medusa – whose name probably comes from the Ancient Greek word for “guardian” – was one of the three Gorgons, daughters of the sea gods Phorcys and Ceto, and sisters of the Graeae, Echidna, and Ladon. All of Medusa’s siblings were monsters by birth and, even though she was not, she had the misfortune of being turned into the most hideous of them all.

From then on, similarly to Euryale and Stheno, her older Gorgon sisters, Medusa was depicted with bronze hands and wings of gold. Poets claimed that she had a great boar-like tusk and tongue lolling between her fanged teeth. Writhing snakes were entwining her head in place of hair. Her face was so hideous and her gaze so piercing that the mere sight of her was sufficient to turn a man to stone. SOURCE

Descriptions of Medusa

The traditional description of Medusa and her sisters were of winged women, with large heads; large head that held large staring eyes, and the tusks of swine. Additionally, the Gorgons were also said to have had hands made of brass.

The most striking feature of Medusa and her sisters would be the hair upon their heads, for each lock was made up of a hissing snake.

Medusa was not considered the most deadly of the three Gorgons though, for this accolade was given to Sthenno, who it was said had killed more people than Medusa and Euryale combined.

The home of Medusa and her sisters was a closely guarded secret, a secret kept by the Graeae, but Hesiod suggested that the Gorgons lived upon an island close to the Island of the Hesperides at the western extremes of the known world, although later writers also claimed Medusa and hers sisters were to be found in Libya. SOURCE

Today we once again take a look at Medusa in the hope of finally creating a video that discusses all the various changes her myth has undergone over the years.

A Theory Of Her Benevolence and Different Opinion

I have discussed this theory regarding Medusa and what she symbolizes with friends and there are others out in the world who agree with this idea so allow me to explain. We all know the description of Medusa being this horrific looking scaly-skinned Gorgon with snakes for hair who turns anyone who gazes upon her into stone and that this was done by Athena for “desecrating” her temple due to her being raped by Poseidon. Athena was seen as being a very jealous and vengeful goddess when it came to human women having sexual relationships with her fellow Olympians. So as a punishment, Athena turns her into this hideous Gorgon to live out eternity both in isolation and sorrow.

But what if there is a different way to look at this? Here me out because this one may seem off to some readers. What if Athena had Medusa become a Gorgon but not as what has been interpreted through the centuries. We can see throughout history her appearances in ancient Greece and during the early part of the Roman Empire changed. So is it fair to theorize that perhaps there was actually a benevolent version for Medusa?

Medusa, said to possibly be a Priestess of the Temple of Athena, was indeed raped by Poseidon which is known. But instead of Athena pouring her vengeful rage upon this poor woman, perhaps she had a different intention. Think about the fact that Medusa later in ancient Greece and Rome we find her face on pottery, floor mosaics and other art as a symbol protection, to ward of malevolence and even a symbol of Femininity. Maybe, just maybe Athena gave Medusa this power of wielding her eyes as this vengeful weapon upon those who gazed at her with malevolent sexual desires. A message to others who may look upon women as merely an object for their deviant intentions. Perhaps Medusa kept her goddess-like beauty and the serpents upon her head are just a symbol of something greater. I personally look at Medusa as a champion for women who have suffered sexual abuse and rape. I see Medusa as this powerful goddess-like figure who is a symbol of empowerment, feminine strength and a powerful statement to any man who wishes to do that sort of harm must pay the most extreme of consequences.

Sure we can read the tales and easily look upon Medusa as this hideous, malevolent, cavern-dwelling Gorgon who only wishes to collect stone bodies in her lair of rot and rage. But I prefer seeing the benevolent version of Medusa and use her tale as a powerful one to perhaps aid in giving any woman who needs it the boost of positivity out from something so horrific.

Further Resources

The epic tragedy of Medusa, the most infamous female fiend in Greek mythology, whose look turned every living thing to stone. But what is the true story behind the myth?

The Ancient Gorgon Medusa: 9 Terrifying Facts

Medusa in Ancient Greek Art

The Curse of Medusa in Greek Mythology




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The Goddess Hecate

The Goddess Hecate (Hekate) is a Goddess that holds great importance within the pantheon of Greek mythology for quite a few important reasons which I plan to cover in this blog post. I myself have not personally worked with her much but have read about her quite a lot and even researched the well know Wheel of Hecate. So knowing how important this Goddess is to so many, I took great care in putting this together so as to make sure I did her justice in honoring her importance and assisting in educating others about who she is, her origin and how to connect with her power and magick.

Everything You Need To Know About Hecate (Maiden, Mother, Crone)

By Danielle Mackay, BA Classical Studies and Linguistics, MA Classical Studies

The goddess Hecate is one of the lesser-known goddesses of the Greek pantheon. Child of Perses and Asteria, she was the only Titan to retain her control under Zeus’ reign. Hecate’s powers transcended the boundaries of the sky, the earth, the seas, and the underworld.

Although there are few myths about the goddess Hecate, her tales reveal a lot about her spheres of influence. During the Roman era, many of her attributes fell in the realm of the underworld. Yet, she also controlled elements that placed her firmly in the light. The goddess possessed extensive powers, which were later assimilated by other deities. Hecate could bestow wealth and blessings on her worshippers, yet she could also withhold these gifts if she were not adequately worshipped. This article will explore who Hecate was and what her attributes and symbols were.

Classical scholars dispute the origins of Hecate’s worship in Ancient Greece. For many, the goddess’ worship has a pre-Greek origin, while for others, it originated in Thrace. Among the theories, the most popular is that Hecate was accepted into Greek religion from the Carians in Asia Minor. According to scholars, it is believed that the goddess came to Greece during the Archaic age. The presence of Hecatean worship in Caria is attested by the number of cult sites dedicated to the goddess. The most prominent of these was in Lagina. However, due to these Anatolian cult sites’ late dates, other classicists argue that an Anatolian origin is impossible for the goddess. Continue reading HERE.

Hekateion (little votive column to Hecate). The triple-body goddess is surrounded by three dancing Charites. Attica, ca. 3rd century BCE.

To those at the forefront of Pagan scholarship, the rise of Hekate is neither coincidental nor surprising. Sorita d’Este, author of Circle for Hekate and over a dozen other titles, is a researcher whose work is rooted in mysticism and mythology. She is also the founder of Avalonia, an independent publisher of Pagan and esoteric books.

“In the ancient world, Hekate was a goddess of many names and many faces,” said d’Este. “She was also worshiped by people from many nations and places, so her continued ability to adapt and be relevant today should not really come as a surprise. Hekate is relevant and present in the 21st century. This is evident in the surge of interest in her but also the number of appearances she makes in pop culture, the number of books written about her, and the way that she has a place in the worship and work of polytheists, as well as Pagans, Wiccans, Witches, Druids, Heathens, ceremonial magicians, and even Buddhists and Hindus.”

In 2010, d’Este produced Hekate: Her Sacred Fires, an anthology in which nearly 50 individuals from around the globe share their own personal visions of the goddess. Shortly thereafter, she created The Rite of Her Sacred Fires, an international devotional event celebrated every year during the May full moon. d’Este then formed Covenant of Hekate, a “network of devotees from different traditions and backgrounds who share their works with one another.” SOURCE

Hekate Her Sacred Fires is an exceptional book for an extraordinary, eternal and universal Goddess. It brings together essays, prose and artwork from more than fifty remarkable contributors from all over the world. Their stories and revelations are challenging, their visions and determination in exploring the mysteries are inspirational, and their enthusiasm for the Goddess of the Crossroads is truly entrancing and sometimes highly infectious.

“Hecate’s themes are the moon, beginnings and magic. Her symbols are serpents, horses or dogs (Her sacred animals), light (especially a torch), myrrh, silver and moonstone. This Greco-Roman Goddess rules the moon and opportunities. Tonight She opens the path through which the old year departs and the new enters. People customarily worship Hecate at crossroads, where worlds meet, which may be why She became a witch’s Goddess. On this, Hecate’s Day, She bears a torch, lighting the way to the future.

At the eve of a New Year, take a moment and pat yourself on the back for a full of Goddess-centered thinking and action. Note your achievements, and thank Hecate for helping you find the way when your vision seemed clouded. An additional benefit here is that speaking this Goddess’s name today banishes unwanted ghosts, including those figurative ghosts of past negative experiences. Let Hecate take those burdens so your new year will begin without anything holding you back.

To accept this Goddess’s powers in your life throughout your celebrations today, wear white or silver items, and light a white candle in Her honor. For a token that will emphasize Hecate’s magic and lunar energies whenever you need them, bless a moonstone, saying something like:

‘Hecate, fill this silver stone
keep your magic with me where ever I roam.’

Carry this, keeping the Goddess close to your heart and spirit.”

(Patricia Telesco, “365 Goddess: a daily guide to the magic and inspiration of the goddess”.) SOURCE

The Wheel of Hecate

Greek Goddess Hecate Wheel

The Hecate’s Wheel is a powerful symbol that represents the goddess Hecate. It is also referred to as the Strophalos of Hecate. Hecate’s Wheel is a circle that has a circular maze surrounding a spiral. This symbol draws its inspiration and power from the Moon, Earth, Sea, and Sky. This is more so because the deity Hecate is the ruler of these spheres of the Universe.

Hecate’s Wheel draws attention to the 3 phases of the triple Hecate, the goddess of the moon. It accentuates the 3 phases of the female cycle. The female life starts as a Maiden, graduates to a Mother, and later to a Crone. Hecate’s Wheel indicates the immense blessings and goodwill this goddess provides for the family.

Those with this symbol as their religious icon find it easy to attract prosperity, growth, and progress in their families. Traditionally, Hecate has been seen to be the guardian of the crossroads. This evolved with time, and she became the guardian of magic and witchcraft. Hecate’s Wheel aptly captures the evolution displayed by the goddess Hecate throughout history.

Up to 500 BCE, physical representations of Hecate indicate her evolution through the various phases of womanhood. Hecate’s Wheel started inculcating these images as early as 100 AD. Some of the earliest images of Hecate’s Wheel also depicted the influence of Aphrodite in the affairs of Hecate. In modern times, Hecate’s Wheel has become an important pagan spiritual symbol. It has gained a lot of traction amongst modern pagans. Continue reading HERE.

“Hecate whom Zeus the son of Cronos honoured above all. He gave her splendid gifts, to have a share of the earth and the unfruitful sea. She received honour also in starry heaven, and is honoured exceedingly by the deathless gods…. The son of Cronos did her no wrong nor took anything away of all that was her portion among the former Titan gods: but she holds, as the division was at the first from the beginning, privilege both in earth, and in heaven, and in sea”.

Her gifts towards mankind are all-encompassing, Hesiod tells:

“Whom she will she greatly aids and advances: she sits by worshipful kings in judgement, and in the assembly whom she will is distinguished among the people. And when men arm themselves for the battle that destroys men, then the goddess is at hand to give victory and grant glory readily to whom she will. Good is she also when men contend at the games, for there too the goddess is with them and profits them: and he who by might and strength gets the victory wins the rich prize easily with joy, and brings glory to his parents. And she is good to stand by horsemen, whom she will: and to those whose business is in the grey discomfortable sea, and who pray to Hecate and the loud-crashing Earth-Shaker, easily the glorious goddess gives great catch, and easily she takes it away as soon as seen, if so she will. She is good in the byre with Hermes to increase the stock. The droves of kine and wide herds of goats and flocks of fleecy sheep, if she will, she increases from a few, or makes many to be less”.

Hecate was carefully attended:

“For to this day, whenever any one of men on earth offers rich sacrifices and prays for favour according to custom, he calls upon Hecate. Great honour comes full easily to him whose prayers the goddess receives favourably, and she bestows wealth upon him; for the power surely is with her”. SOURCE

How to work with Hecate through deity communication, altar building, offerings, etc is definitely a little rough. Hecate being the deity of witchcraft can be overwhelming to those who she has called out to who don’t have much info on her. This video will hopefully fill in some of the gaps for some. Goddess Hecate within Greek mythology has a very interesting history, but also a very small mythology. But don’t let that fool you because Hecate is full of mystery and there is still a lot when working with her.
Hello dear friends, today the video is different! Talking about a Greek goddess – Hecate. I truly hope you enjoy the video.

Further Resources

The Covenant of Hekate (CoH) was born out of the desire to create a community and centre of study for those who share a passion for the history, mysteries and magic of the Goddess Hekate.

Hecate: Greece’s Dark Goddess of the Crossroads

Hecate: Holding Court Over Ancient Greek Witchcraft, the Moon, and Ghosts

Hecate Greek Goddess of Witchcraft : The Complete Guide

The Greek Goddess Hecate

The Functions of the Greek Goddess Hecate – by Lucy Moore

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Sedna: Inuit Goddess of the Sea

Recently a friend of mine sent me a short video regarding a Goddess of the sea I was not aware of but am very much appreciative that I now know of her. Across the lands of the Inuit culture she has many names such as Mother of the Seas, Nuliayuk (Nuliajuk), Taluliyuk but most commonly she is known as Sedna. I immediately dived into learning about her and for those who personally know me know how much I love the Gods and Goddesses of the seas. So I felt an important need to share with you all the story and importance of this Inuit sea goddess that is certainly one of the most celebrated within the Inuit pantheon.

One thing I want to express which is very important to me out of respect to the Inuit nation is this. The Inuit are a proud people with a rich culture, traditions and history which really deserves to be preserved and respected.

SEDNA – (also known as Nuliajuk) – The sea goddess and the most celebrated deity in the Inuit pantheon. Even mythology books that cover no other figures from Inuit myths will usually have an entry on her. She was the daughter of the god and goddess Anguta and Isarrataitsoq and, like countless female figures in Inuit myths, she refused all prospective husbands. Sedna instead had sexual relations with dogs and the “freakish” offspring of these unions were said to be white people and Native American tribes that the Inuit were often at war with.

A ghoulish twist to the story is how Sedna took to using her parents as food (a recurring theme in Inuit myths because of the scarcity of food in the frozen north at times and how instances of cannibalism during such famines were much-discussed). Sedna devoured both of her mother Isarrataitsoq’s arms and had finished eating one of her father’s arms before he was able to subdue her and take her out to sea in his canoe, intent on banishing her to the sea. Continuing to struggle, Sedna clutched the sides of the canoe as her father tried to submerge her, prompting him to take his long knife and cut off her fingers.

Since, to the Inuit,  loss or mutilation of the hands was often seen as a horrific transformation into something new, the myth states that Sedna now embraced her fate, transforming her now-fingerless hands into flippers and transforming her severed digits into the various species of sea animals. When the one-armed Anguta returned to shore, where his still-armless wife awaited, Sedna, now fully realized as the sea goddess, caused a massive wave to wash over her parents, dragging them down to her new home to serve in her subaquatic court. Continue reading HERE.

Sculpture of Sedna in the National Museum of Finland

Once upon a time there lived on a solitary shore an Inung with his daughter Sedna. His wife had been dead for some time and the two led a quiet life. Sedna grew up to be a handsome girl and the youths came from all around to sue for her hand, but none of them could touch her proud heart. Finally, at the breaking up of the ice in the spring a fulmar flew from over the ice and wooed Sedna with enticing song. “Come to me,” it said; “come into the land of the birds where there is never hunger, where my tent is made of the most beautiful skins. You shall rest on soft bearskins. My fellows, the fulmars, shall bring you all your heart and desire; their feathers shall clothe you; your lamp will always be filled with oil, your pot with meat.” Sedna could not long resist such wooing and they went together over the vast sea. When at last they reached the country of the fulmar, after a long and hard journey, Sedna discovered that her spouse had shamefully deceived her. Her new home was not built of beautiful pelts, but was covered with wretched fishskins, full of holes, that gave free entrance to the wind and snow. Instead of soft reindeer skins, her bed was made of hard walrus hides and she had to live on miserable fish, which the birds brought her. Too soon she discovered that she had thrown away her opportunities when in her foolish pride she had rejected the Inuit youth. In her woe she sang: “Aja. O father, if you knew how wretched I am you would come to me and we would hurry away in your boat over the waters. The birds look unkindly upon me the stranger; cold winds roar about my bed; they give me but miserable food. O come and take me back home. Aja.” Continue reading HERE.

Inuit mythology refers to the indigenous peoples of Alaska, Canada, and Greenland’s shared spiritual beliefs and practices. Their religion has many parallels with the religions of other North Polar peoples. Inuit myths and legends, like any mythology, both are entertaining and educational. The Inuit attributed excellent and evil powers to deities who lived in a spirit world intertwined with the stunning northern landscape.

Did you know that the farthest known celestial body in space is named after the goddess Sedna?

2003 VB12 was the official temporary designation of the International Astronomical Union (IAU) Minor Planet Center, based on the year (2003) and date (14 Nov = the 22nd 2-week period of the year thus V=the 22nd letter of the alphabet. after that it is sequential based on the discovery announcement) of discovery. Once the orbit of 2003 VB12 is known well enough (probably 1 year), we will recommend to the IAU Committee on Small Body Nomenclature — which is responsible for solar system names — that it be permanently called Sedna (this has now happened, see above) . Our newly discovered object is the coldest most distant place known in the solar system, so we feel it is appropriate to name it in honor of Sedna, the Inuit goddess of the sea, who is thought to live at the bottom of the frigid arctic ocean. We will furthermore suggest to the IAU that newly discovered objects in this inner Oort cloud all be named after entities in arctic mythologies. SOURCE

Further Resources

The Inuit Legend of the Sea Goddess

The Goddess of the Sea: The Story of Sedna

Goddess Sedna

The Arctic Ocean is integral to the lives and culture of the Inuit peoples of the Arctic Circle, and one of their primary deities controls the ocean and all of the creatures who live within it. Though she goes by many different names, and her story varies from region to region, she is widely known as Sedna. Once a mortal girl subjected to cruelty and manipulation, Sedna’s fingers were chopped off, and they became the animals of the sea, while she rose to become one of the most powerful and venerated goddesses in all mythology. Mythology unleashed
In this episode of Makeup and Mythology, I cover Sedna, the Inuit goddess of the sea– but she wasn’t always. Swindled by her husband and betrayed by her father, this powerful goddess is known to be rather vengeful and demands to be worshiped. Liana C.
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Clash of the Gods

I have always been fascinated by the Gods and Goddesses, Demi-gods and all creatures of the Greek pantheon. The tales and lore is vast and covers so much regarding human and God-like struggles, feats and epic voyages. The ten part documentary series called Clash of the Gods covers stories from Zeus to Medusa to the epic tale of Odysseus and more. Filled with historians, archeologists and more to give their perspectives on these tales along with the visual representations makes this a series really worth watching.