Tag: Nordic magick

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Web of Wyrd: The Symbol of Fate Explained

I have been asked a lot lately about the more modern symbol used within the Norse Pagan community known as the Web of Wyrd so today I will do just that. The symbol itself first appeared in print in the 1990s but the term Web of Wyrd or spining the web of Wyrd (fate) can be found mentioned in several poems and Sagas such as the Helgakviða Hundingsbana I – The First Lay of Helgi the Hunding-Slayer, Darraðarljóð (Song of Darraðar) and Völundarkviða – The Lay of Völund. It can also be said that this symbol is made up of the entire Elder Futhark Runes which can easily be seen.

The first known appearance of the symbol occurs in German occultist Jan Fries’s Helrunar: A Manual of Rune Magick (1993, Mandrake of Oxford). Two versions of form A occur within the book: Form A.1. appears on the book’s cover, A.2. on its title page, and A.1. appears again on page 326.

The book itself contains a variety of references to English occult figure Aleister Crowley, typical of English language European occult circles in the early 1990s. While Fries’s book contains three instances of the symbol, nowhere in Helrunar does Fries mention or otherwise discuss it. Whether the symbol originates from this text or was otherwise known in occult (and modern pagan circles) at the time remains unclear. Continue reading HERE.

Wyrd is a concept at the theological heart of Ásatrú and Heathenry. For many of those who practice one of the modern forms of the Old Way, wyrd is a core element of worldview. It stands behind, runs through, and supports our words and deeds. It connects each individual’s present moment to her past actions and to the actions of those around her. It forms a constantly shifting matrix that connects us all as we move through our intersecting lives.

The word wyrd itself comes from the Anglo-Saxon. In the main volume of An Anglo-Saxon Dictionary by Joseph Bosworth and T. Northcote Toller, the first translation given for wyrd is “what happens,” followed by “fate, fortune, chance.” In the dictionary’s supplement, additional translations are presented: “what is done, a deed, an action.”

The Old Norse cognate for the term is urðr, which An [Old] Icelandic-English Dictionary by Richard Cleasby and Guðbrandur Vigfússon translates as “a weird, fate.” The same word is used in medieval Icelandic literary sources as the name for one of the three Norns who sit at the well under a root of the World Tree and “shape men’s lives.”

The Oxford English Dictionary entry for weird gives a wide range of definitions, including “the principle, power, or agency by which events are predetermined,” “that which is destined or fated to happen to a particular person,” “what one will do or suffer,” and “a happening, event, occurrence.” SOURCE.

Fate – Wyrd/Urd

Further Resources

The web of Wyrd, the matrix of fate (Skuld’s Net)

The Web of Wyrd Symbol, Meaning And Origins Explained

The Web of Wyrd

Web of Wyrd & Fate

The Web of Wyrd – Yggdrasil – The Tree of Life



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Sinthgunt: The Mysterious Cosmic Goddess

Sinthgunt is a Norse Goddess shrouded in mystery and very little is known of her which leaves open to some modern ideas regarding who she is. Some for me make complete sense regarding her lineage as a daughter of Mundilfari and a sibling of Sunna and Máni.

She is mentioned only once in the surviving lore, in the Merseburg Charm, an Old High German incantation dating from the 9th or 10th Century C.E. There She is referenced as a healer, but many of us today have had a far difference experience of Her presence. Of all of Mundilfari’s children, She is the most like Her father. She is a Goddess of the flow of time, of the unfolding of the cosmos, of the power of black holes, and of shifting threads of power. She is a Magician and the effective wielding of power is Her core competency. Her presence is like the chaos that rests in the center of a star. She is immense, contained power and terrifying. I always feel a pull to her that is so strong I even created a Galdrastafur in one of my Galdrabóks for doing rituals and dedications to her.

Honoring Sinthgunt by Galina Krasskova

Symbols: hour glass, compass, images of the galaxy and cosmos, stars, images of the Milky Way, abacus (also appropriate for Mani), mathematical equations

Colors: purple, silver, midnight blue, black

Stones: lapis, labradorite, lepidolite, herkimer

Food and Drink: good vodka, sweets, peppermint, good single malt whiskey

Things not to do: Call upon Her lightly, show disrespect for Her kin, waste time that you have promised to any other endeavor

Praising Sinthgunt

Merseburg Incantations

The Merseburg Incantations

Sunne, sister of Sinthgunt

Lunar Mani

Norse Goddess Sól

The Merseburg Charms

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Bindrunes and the Ægishgjálmr

A practical bindrune may combine two or more runes to form a single design representing the runic powers of the included runes. The purpose of the bindrune is to enable a controlled release of those runic energies for the benefit of the user, or someone he or she wants to help or influence.

Bindrunes can only be used to help people, not to harm them. Any attempt to place a curse, prevent a person doing something, or to make something nasty happen to them will inevitably backfire on the user. However there are some Galdrastafurs that exist with the sole purpose of causing damage to others or things but unless you are a skilled practitioner of Norse magick I highly suggest you do not attempt to use them.

Although a bindrune is a blending of runic characters, each rune included in the design has to retain its own individuality, it has to be visible as an entity within the whole. I find it is best to limit the design to no more than four, or maybe five characters at the most, so that it can still be symmetrical, balanced and pleasing to the eye.

There are exceptions to this rule, however. Some very ancient and highly effective bindrunes incorporate 6, 7 or even 8 different runes. But generally speaking, the simpler the design, then the more effective the bindrune will be.

Bindrunes are devised for specific purposes. They can generate mental activity such as memory, logic, emotion, enlightenment, strength of will, courage, fairness, clarity of thought. They can aid physical actions too, such as health, strength, speed, endurance, and all the 5 senses.

Bindrunes can produce a runic field of energy to protect your person, your home or possessions, your job or your business good-will, and they can enhance relationships by encouraging harmony, partnership, love or sexual attraction.

You could easily draw a bindrune on a piece of paper, wood, stone or anything and carry it with you hoping that it will have some effect. But the un-empowered bindrune will be so weak that you would probably not notice any difference. For a bindrune to work effectively it must be empowered in the correct way which for me really involves your intentions because intentions and even your mood and emotions have energy which can unintentionally be woven into the bindrune and that potentially will cause it to have the wrong effect.

The purpose of this Icelandic magic stave (galdrastafur) is “að fá bón sína”, meaning “to get your wish”. This scan is from an original early 19th century manuscript, copied most probably from mid to late 1600s
Some Bindrunes and Their Meanings

The Helm of Awe

Norse Bindrunes

Galdrastafir: Icelandic Magical Staves

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The Northern Feminine Podcast

Recently I appeared for the first time on a Podcast where we discussed much but the focus of the topics were the feminine side of Norse Paganism as well as the importance of the Lesser Known Goddesses of the Þursar tribe of the Norse Pantheon. It was a great show indeed and I already told the ladies who run the Podcast I am happy to be a guest again in the future. So please do have a listen to it and the other episodes they have already.

Episode 15: Chat with The Úlfsvaettr Craftsman

The Northern Feminine

Follow them on Instagram HERE

They have a Twitter as well.

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Norse Magic: A Great Beginner’s Book

Norse Magic by D.J. Conway in my opinion is a great little book for not only beginners in practicing Norse magick but even for those who have been for years as a book of reference and review. It is one I keep in my library I refer to others quite often.

Norse Magic is an informative guide for both beginners and intermediates in the field of Norse magic. Even for those who simply have an interest in Norse culture, folklore as well as history and a book I highly recommend.

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Runes and Weland the Smith

These two little books by Ben Waggoner are two little gems I highly recommend for your library.

A Pocket Guide to Runes is a great little resource and guide regarding the Elder Futhark Runes regarding each one’s meaning and use.

Weland the Smith tells about Weland also known as Volundr, Wieland and Wayland. His name lives on as the name of the most masterful craftsman ever known. Captured and crippled, forced to make treasures for a cruel king, he plots not only how to regain his freedom, but how to take a terrible vengeance. His legend was told for centuries in England, Germany, and Scandinavia. Here you will find the major sources for Weland’s legend, translated from Old Norse and Old English.

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Shapeshifters of the North

Shapeshifting in Old Norse Religion as well as other native religions throughout Northern Europe and into Siberia is known but perhaps not spoken of enough about its importance with the practices of Shamans, Witches and with the use of Seiðr. We do see shapeshifting in the stories of the Norse Gods and Goddesses mainly with Odin, Loki and Freyja but not as much with humans like Fafnir the Dragon from the Saga of the Volsungs who used to be a man. Like what we can see with other ancient cultures and even to present times, Shamans will dress in animal hides and become Therianthropic during rituals which is a symbolism of shapeshifting itself. An example that is quite well known during the Viking Age are the fierce wild warriors known as the Berserkrs and Úlfhéðnar which were special warriors that dressed in the hides of Bears or Wolves and they themselves became animalistic.

Besides what was written down or passed by word during and after the Viking Age, as well as other Northern regions across Europe and Asia, regarding shapeshifting, there also is some physical evidence of its spiritual importance with such examples as the Khakassia Petroglyph in Siberia. Shapeshifting depicted with Petroglyphs can be found in other parts of Europe, Asia and especially the Amerindians of North America.

Personally I find the subject of shapeshifting quite fascinating and have read much about it as well as watched a number of documentaries that touch on the subject. Below you will find a selection of resources I highly recommend having a look at.

Norse Shape Shifters 

Three Awesome Magical Powers in Norse Mythology

Shapeshifting in Old Norse-Icelandic Literature

Shapeshifting in Old Norse-Icelandic Literature
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Völva: The Shamanic Seeress of the North

The Völva in Norse Paganism is in my opinion the most sacred title that can be bestowed upon a Woman who has worked tirelessly with unwavering dedication to practicing and learning the secrets and magick that is Seiðr and Galdur. It is not something just anyone can call themselves. It is a name with a history dating back thousands of years even before the Viking Age. Women as Shamans in ancient Scandinavia and across Europe has been found through Archeological evidence from the Bronze Age. It is a tradition of spiritual beliefs, medicine, divination and more passed down through the generations. Years ago I met a woman born and raised in Iceland. We quickly became good friends and to this day I consider her like a sister of mine. She also happens to be a truly recognized Völva not only in Iceland but across Europe and elsewhere. She learned the secrets and practices of a Völva from her Mother who learned from her Mother and so on going all the back to when Iceland was settled during the late Viking Age. I can honestly say that not only am I proud to be her friend but feel a true gratitude and unbelievable privilege that she has mentored me during the years and she even has gone so far to share with me things regarding this sacred magick I hold closely guarded myself. So with that said I feel the need to share what I feel are some of the best resources to learn more about the Völva.

Remember this as I have been saying this for years. No one can just become a Völva or self proclaim this title. The Völva is chosen, granted the title and only after showing that they themselves are worthy.

In the Sagas, seeresses called völur (plural) have been described. The word völva (singular) means a carrier of the wand. Usually, a völva was an older woman who traveled around helping people with her magical skills.

“There was in the settlement the woman whose name was Thorbjorg. She was a prophetess (spae-queen), and was called Litilvolva (little sybil). […] It was a custom of Thorbjorg, in the winter time, to make a circuit, and people invited her to their houses, especially those who had any curiosity about the season, or desired to know their fate. […]

The women formed a ring round about, and Thorbjorg ascended the scaffold and the seat prepared for her enchantments. Then sang Gudrid the weird-song in so beautiful and excellent a manner, that to no one there did it seem that he had ever before heard the song in voice so beautiful as now.”

Read full article HERE

Weaving the Dead: Völvas and Their Analogues in Europe

Völva, a Shamanic Seeress

A seeress from Fyrkat?

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Gandreiðarstafur (Witch riding Stave)

“To go wherever you want.”

He or She who wishes to ride through the air like a witch shall inscribe this stave on a bleached horse’s skull with two types of blood: from the man himself as well as from a horse, combining it in thirds, two parts being the horse’s blood, from beneath the frog of the hoof of the right foreleg, and the third part from beneath the big toe of the man’s left foot. The stave is to be drawn with a chicken feather, and he who has a witch-ride bridle will then be able to ride through air and water, wherever he feels like going. A witch-ride bridle is created by digging up a newly buried man and cutting a strip of skin from the length of his spine. This will be used for reins. Next, the dead man must be scalped, and the scalp will be used for the bridle. The dead man’s lingual bone is to be used for the bit and his hip bones for cheekpieces. A spell also needs to be recited over it, and then the bridle is finished. All that needs to be done is place the witch-ride bridle over a horse’s head. It will then fly into the air with whomever is riding it, and fly faster than lightning wherever its rider wishes, creating a great whistling sound.”

Icelandic scholar Þorsteinn Konráðsson began collecting Galdrastafurs in 1890, but it was not until 1943 that he collected his volumes of data and wrote about them which included hundreds of Icelandic magic symbols (Staves). His style was unique, using a two-toned black and red to bring out a dramatic effect visually of the Staves. This Galdrastafur appears in several other manuscripts and how long it has existed lies in mystery. It is said that this one was a favorite of Þorsteinn.

Learn more about Galdrastafurs below

https://www.galdrastafir.org/

https://galdrastafir.com/

Magical Staves
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Icelandic Runes, A Brief History

Icelandic Runes, A Brief History

by Teresa Dröfn Freysdóttir Njarðvík

This is by far my favorite little book about Runes out of all I have in my library. I learned about this little lesser known treasure a couple of years ago during a conversation I was having with a dear Völva friend of mine and mentor who lives in Iceland. Turns out a friend of hers is the Author of this little gem. The book is exactly as the title describes. It starts with an introduction to the Elder Futhark and then carries on with other variations of the Runes including the unique Icelandic Runes. Then proceeds into their use, history and the use of Runes in more modern times. It is a book I highly recommend for your library.

To order your copy unless you can read Icelandic you will need to translate the webpage as there is only one source in Iceland to order a copy from.

https://www.penninn.is/is/book/icelandic-runes-brief-history

Article regarding the book from Icelandic Times