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Orcas: Folklore, Symbolism and More

Being someone who grew up and spent a great deal of my U.S. Coast Guard career in the Pacific Northwest I got to see a lot of the native coastal culture which had deep connections with a certain mammal of the seas. From art to ceremonies and more you will find the Orcas incorporated into them. I myself got to witness them in the wilds of the magnificent Salish Sea, which I will be discussing that sea later on here. But before I go on I need to just say that even though the Orca has the common name “Killer Whale” I must say it is a name I personally do not like using but it will be mentioned in sited articles during this post. Orcas are not even a Whale at all but the larges member of the Dolphin family (Delphinidae). Killers? Well yes they are magnificent predators but that is nature. I find Orcas to be so special in many ways and unfortunately they are an endangered species but the good news is measures are in place to not only help preserve them but to allow in hopes that their population grows and flourishes. So with that said let us dive into the world of the Orcas.

Get to know the Orca

Orcas, also known as killer whales, are among the world’s most easily recognized marine mammals. The largest member of the dolphin family, orcas are highly intelligent and social animals, spending their lives in groups or pods where they hunt together and share responsibility for raising young and taking care of the sick or injured.

Adult orcas have shiny black backs, white chests and patches of white above and behind their eyes. They have paddle-shaped pectoral fins and tall triangular dorsal fins. Their distinct coloring mean they are easy to identify and rarely confused with other dolphins or whales. Orcas vary in size depending on where they live. Adult males are larger than adult females, with males reaching 32 feet (10 meters) in length and females growing to 28 feet (8.5 meters).

Found in every ocean on the planet, orcas are likely the most widely distributed mammal in the world, next to humans. There are three distinct types of orcas recognized in the eastern North Pacific Ocean—transient, resident, and offshore. Residents live close to shore in large pods of about 10 to 20 individuals and feed primarily on fish. Offshore orcas are similar to residents, but are distinguished by their smaller overall size and rounded, nicked fins. Transient orcas live in smaller groups of about three to seven individuals and spend their lives out at sea where they prey on seals, sea lions, and other dolphins (which, strangely, are the same animals that resident orcas like to swim and play with). All three types of orca have genetic differences and do not mingle or interbreed. SOURCE

Drawing on interviews, official records, private archives, and his own family history, Jason M. Colby tells the exhilarating and often heartbreaking story of how people came to love the ocean’s greatest predator. Historically reviled as dangerous pests, killer whales were dying by the hundreds, even thousands, by the 1950s–the victims of whalers, fishermen, and even the US military. In the Pacific Northwest, fishermen shot them, scientists harpooned them, and the Canadian government mounted a machine gun to eliminate them. But that all changed in 1965, when Seattle entrepreneur Ted Griffin became the first person to swim and perform with a captive killer whale. The show proved wildly popular, and he began capturing and selling others, including Sea World’s first Shamu.

Over the following decade, live display transformed views of Orcinus orca. The public embraced killer whales as charismatic and friendly, while scientists enjoyed their first access to live orcas. In the Pacific Northwest, these captive encounters reshaped regional values and helped drive environmental activism, including Greenpeace’s anti-whaling campaigns. Yet even as Northwesterners taught the world to love whales, they came to oppose their captivity and to fight for the freedom of a marine predator that had become a regional icon.

Orcas in popular culture

Many ancient civilizations knew them well. The Roman writer Pliny the Elder, who died in AD 79, describe them as huge animals enemies of the whales. Historically, for the native peoples of North America sighting of killer whales is common, so they developed an interesting mythology about them. For example, in the beliefs of the Kwakiutl and Nuu-chah-nulth orcas acquire a relevant meaning for hosting the souls of their chiefs who have died.

Many ancient cultures show great respect for killer whales and are present in their culture and myths. This concept is a bit different in the actual cultures, as they are tagged as fierce whales and highly dangerous creatures. Although for a long time, they had a bad reputation in recent times this has been changing.

The Inuit people today know a lot about orcas. They can identify them and know what they eat, but this is because they live close to them. By contrast, many of today’s Western societies acquire this knowledge through films, literature and television. SOURCE

Killer whales / Orcas (Orcinus orca) large pod including calf traveling together while foraging on large schools of Herring (Clupea harengus) in the cold waters of northern Norway, January.

Ten facts about orcas (killer whales)

  1. Orcas are the largest member of the dolphin family.
  2. A male orca can be nearly 33 feet (10 meters) in length and weigh around 22,000 pounds (10,000kg).
  3. Orcas are highly intelligent and able to coordinate hunting tactics.
  4. Female orcas are thought to live to 80 years of age or more.
  5. The dorsal fin of a male orca is up to 6 feet (2 meters) tall.
  6. Orcas are extremely fast swimmers and have been recorded at speeds of up to 33.5 mph (54 kph).
  7. A wild orca pod can cover over 99 miles (160 kilometers) a day, foraging and socializing.
  8. They were give the name “killer whale” by ancient sailors who saw them preying on large whales.
  9. Orcas are still hunted in some countries, such as Greenland.
  10. Different kinds of orcas are called “ecotypes”. They hunt specific prey and live in different parts of the world. SOURCE

Folklore and Native Culture

The Woman Stolen by Killer Whales (Tahltan)

A man was out fishing and drying halibut, and his wife helped him.

One day he felt something very heavy on his hook and could not pull it up. He tied the line to the thwart of the canoe and paddled ashore. With much trouble he managed to land the fish on the beach.

He called on his wife to kill it quickly, and she dispatched it with her knife. She cut it up and hung it up to dry, as is done with halibut. They did not know what kind of a fish it was. It was quite strange to them, but they thought it might be good food. When the woman had finished her work, she went to the edge of the water to wash her hands.

As soon as she put her hands into the water, something seized them and pulled her underneath the sea. She had been taken by the Killer-Whales who had come to have revenge on the man for killing their friend. Continue reading HERE.

In Inuit folklore the Akhlut is an orca spirit that takes the form of a gigantic wolf or a wolf-orca hybrid when on land.

It is a vicious, dangerous beast that ventured onto land in order to hunt humans and other animals. Its tracks can be recognized because they are wolf tracks that lead to and from the ocean, indicating that the creature is waiting for prey under the water nearby.

Often, dogs seen walking to the ocean or into it are considered one of these malevolent beasts. Little is known of this spirit other than that can transform between and orca and/or wolf. SOURCE

The killer whale (Orcinus orca), also referred to as the orca whale or orca, and less commonly as the blackfish or grampus, is a toothed whale belonging to the oceanic dolphin family, of which it is the largest member. Killer whales are found in all oceans, from Arctic and Antarctic regions to tropical seas. Killer whales have a diverse diet, although individual populations often specialize in particular types of prey. Some feed exclusively on fish, while others hunt marine mammals like pinnipeds, and even large whales. They have been known to attack baleen whale calves. Killer whales are regarded as apex predators, lacking natural predators.

Orcas in Haida Culture

The Haida myths and legends about killer whales tells how they are supernatural beings and how they basically ruled the underworld. The underworld in Haida culture refers to the ocean and everything in it. The killer whales had their own villages equivalent to the Haida villages on the surface with longhouses lined up with each other. The stories the Haida have about killer whales are endless, many of them end up being about a killer whale that stole a woman from the shore because he wanted to bring her back to his village and marry her.

There are also stories about the origins of killer whales and stories of their strength. Some say killer whales descended from coastal wolves. There was a story about a man with two wolf pups who, as they grew bigger and bigger, would swim out to sea to hunt whales. They would bring whales back for dinner everyday until one day a heavy fog came in and the wolves became lost at sea, eventually turning into killer whales.

There’s another story about how the supernatural beings were holding a contest. The island of Haida Gwaii was sinking, and to see who would be given the job of holding it up, they needed to see who the strongest. In this contest was a boy who had the ability to wear the skin of others. The contest was to see who can lay on a bed of hot coals the longest, the boy knowing the killer whales skin was the toughest, decided to cheat he took the killer whales skin and wore it when the supernatural beings weren’t looking, he won the contest. It is said he now holds up Haida Gwaii on a totem with his little pet ermine, when there is an earthquake on Haida Gwaii it is said to be the ermine running up and down the pole. Continue reading HERE.

Orca Symbolism in Indigenous Cultures of the Pacific Northwest

(Image by Cecil James from Pixabay)

The Orca, also known as the Killer Whale or Blackfish, possesses a profound significance in the rich tapestry of mythology and folklore of the Indigenous peoples of the Pacific Northwest Coast of North America. 

Amongst many tribes in the region, such as the Tlingit, Tsimshian, and Kwakiutl, the Orca is revered as a clan animal and serves as a cherished clan crest. Its powerful presence is an enduring symbol of the deep-rooted cultural traditions and profound connection to the natural world that have shaped the identity of these communities for generations.

The Orca is a venerated medicine animal, embodying an enduring symbol of strength and power. In addition, the Orca is regarded as a cherished protector of humanity among the Tlingit people. Despite their status as skilled whale hunters, the Tlingit do not hunt the Orca, acknowledging its esteemed role as a guardian of their communities. 

For the Kwakiutl tribes, the Orca held an even more poignant significance – it was believed that upon the death of a seafarer, their soul would transform into an Orca, much like forest hunters were said to become wolves. This enduring belief is a testament to the deep spiritual connection that has long existed between humans and these majestic creatures of the sea.

To catch a glimpse of an Orca off the coast is to bear witness to a poignant and meaningful omen. In some indigenous cultures, the Orca is revered as a messenger, a spiritual entity transcending the physical realm to offer guidance and wisdom to those still bound to this mortal plane. To some, the sighting of an Orca may even signify a departed chief or tribe member reaching out from beyond the veil to communicate with and protect their loved ones still walking the earth. Continue reading HERE.

During four years of shooting in the icy waters that surround the volcanic archipelago of the Crozet Islands, we have followed the trial and tribulations of Delphine, a young female adolescent killer whale. Living and growing within her family group she gradually learns how to find her bearings, how to hunt king penguins or Minke rorquals and how to get stranded in order to catch sea elephants.

Further Symbolism and Meaning of the Orca

Shamans suggest the Orca or Killer Whale knows the secrets to exquisite romance, long life, peaceful interactions, community cooperation, and perhaps a well-protected family. The Orca is a Whale and the largest member of the Oceanic Dolphin family, so they have many common characteristics, including mischief, curiosity, and intellect. The Orca brain is sophisticated, seeing the aquatic beast is the second largest among Sea Creatures.

Orcas is diligent when working within their pod, raising their calves with the meticulous care. The Orca pods are interdependent and team-oriented. Orcas travel together, hunt together, and play together. Life within the pod is social and friendly, which is one message the creature delivers to humankind: The importance of learning how to live happily together so that everyone benefits.

Orcas have an intimate connection with the Feminine principal of the Universe. They are matrilineal. A female leads each pod, teaching the young everything they need to know for survival. Should a mother in the pod pass away, the sister, grandmother, or next female in line steps into the role; this gives Orca various Yin energetic signatures including nurturing, education, bonding, comfort, facilitation, and endless patience. Even though people call them Killer Whales, the Orca Animal Guide is a gentle creature who takes an interest in those who cannot help themselves. Continue reading HERE.

Orcas of the Salish Sea

The Salish sea for me has a huge importance for me just from fond memories of traveling that sea in my career but on a spiritual level as well. The Salish sea is a marginal sea of the Pacific ocean found between northwest Washington and British Columbia that holds an amazing variety of diverse Marine and Coastal wildlife which certainly includes the Orca. The Salish sea itself is very sacred to the Native cultures who reside there as well.

An Orca pod on the move in the Salish Sea.

Orcas have been a symbol of the West Coast for many thousands of years. They they are an important part of the culture of many Indigenous peoples, belief systems, symbolism, art and storytelling.

The orca is a symbol often centered around luck, compassion and family. Orcas are known to some Indigenous communities as the guardians of the sea. To some people, orcas represent the strength of love and the bonds of family because of their strong group behaviour.

Indigenous peoples and orcas have lived in harmony in the Pacific Northwest since time immemorial. It is important to look to Indigenous communities for knowledge and understanding of the history, location, and behaviours of the Pacific Northwest’s orca populations, as well as to their leadership, when developing protection and recovery actions. SOURCE

photo: Animalia Life

The Pacific Northwest is home to three Orca ecotypes

  • Resident Orcas, of which there are two distinct populations
  • Bigg’s orcas, also known as transients: approx. 400 individuals (population increasing)
  • Offshore orcas: approx. 300 individuals (population trend unknown) SOURCE

The Orca People (qalqaləxič)

Coast Salish peoples, here for thousands of years before settlers arrived, shared a strong belief in the existence of “myth age,” when beings sharing both human and animal qualities roamed the earth. According to legend, a Changer (dukʷibəɬ) transformed beings into animals, giving the native people the essential elements of their culture.

The killer whale or orca is important to the Tulalip Tribes. As the Snohomish legend goes, if a killer whale approaches their canoe, they will greet it with these words: “killer whale, killer whale, your ancestors were also my ancestors.”

A long-told Tulalip story says there were two brothers, famous seal hunters, who went to live in the ocean and became killer whales. Later, when the Tulalip people had been starving, they were relieved to see the salmon arrive.

Suddenly, seals arrived, too, and began devouring the salmon. Remembering their seal-hunting ancestors, the qalq̓aləx̌ič, they called them for help. The killer whales heard the call and arrived to kill the seals, saving the salmon and the Tulalip people from starvation.

“Tulalip” comes from the Lushootseed word dxʷlilap (far towards the end) referring to the wide berth cut by canoes entering Tulalip bay, eight miles north of Mukilteo, to avoid running aground. Tulalip tribal members are the direct descendants of the Snohomish, Snoqualmie, Skykomish, and other allied tribes and bands signatory to the 1855 Treaty of Point Elliott, which was signed here. SOURCE

Meet Onyx and the orcas of J pod, the world’s most famous whales.
Illustrated with stunning photos, this picture book introduces young readers to the orcas humans first fell in love with. The members of J pod live in the Salish Sea, off the coast of Washington and British Columbia. Moby Doll was the first orca ever displayed in captivity, Granny was the oldest orca known to humanity, and Scarlet was the orca humans fought to save.

Orcas of the Salish Sea Written By Kaori Pi

The black dorsal fin slices up slowly with barely a ripple. First it rises about a foot above the surface. Like a submarine’s periscope, it travels straight ahead for twenty feet until the mighty stroke of the adult male’s flukes lift six feet of dripping, wavy fin into the air. A huge torpedo-shaped head pushes out just far enough for a loud burst of air out the blowhole and a quick suck to refill the orca’s lungs before it arcs silently back into the depths.

It’s J3, a male over 40 years old, rising to breathe beside his family. His mother’s sister plows up next to him to heave an explosive blow, followed by three more generations of J pod orcas, all closely related and inseparable their entire lives. J3’s age is documented from photos taken in the first years of demographic field research in the mid-1970’s. Several females are much older, however, including two, J2 and K7, both estimated to be over 90 years old in 1995.

Wispy clouds of vapor linger high over their heads as they pass a hundred yards from Lime Kiln Lighthouse at Whale Watch Park. One suddenly twists in tight circles pursuing a large salmon. The others dive into the kelp, rubbing the long soft strands along their backs and into the notches of their flukes as they check for salmon hiding in the shadows. Above them the snow-whitened Olympics stand watch over this vast inland sea, glowing with red-orange hues in the early morning sun. Continue reading HERE.

For eons, a one-of-a-kind population of killer whales has hunted Chinook salmon along the Pacific Coast of the United States. For the last 40 years, renowned whale scientist Ken Balcomb has closely observed them. He’s familiar with a deadly pattern – as salmon numbers plummet, orcas starve. The solution, says Balcomb, is getting rid of four fish-killing dams 500 miles away on the largest tributary to what once was the largest Chinook producing river on earth. Studying whales is science. Removing dams is politics. Defiantly mixing the two, says Balcomb, has become the most important work of his storied career. Meanwhile, the race to extinction for salmon and orcas speeds up, nipping at the heels of the plodding, clumsy pace of political change in the Pacific Northwest, where dams and hydropower are king.

In Conclusion

So in conclusion as you have seen during this blog post there is a tremendous amount of information regarding these amazing Wolves of the Seas and I could have gone on further but I felt ending the Blog with the Orcas of my homeland felt suiting. Even as I wrote and put together the sources for this one I for a moment felt like I was back home which is something special for me. I can only hope that someday I return home to the Pacific Northwest and once again can take to sea and experience with my own eyes the beauty of the Orcas.

Further Resources

Spirits of the Coast: Orcas in science, art and history

Orca guide: diet, how they hunt, and what they’re related to

9 Reasons to Be Obsessed with Orcas

Native American Killer Whale Mythology (Orca or Blackfish)

Orca Whales (Pacific Northwest)

The language of Whales

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The Slavic Mother Goddess Mokosh

The Gods and Goddesses of the Slavic pantheon are ones I feel connected to and have studied for years. maybe due to having Slavic blood running through me or perhaps how they resonate with my beliefs and spiritual path. Either way I want to begin featuring each of the Slavic pantheon with posts on my blog here and I have decided to begin with the most important Goddess which is Mokosh (Mokoš). She is such an important Goddess among the Slavic pantheon that she is still revered to this day as she deserves.So let us get into all there is known about this Mother Goddess.

Getting to know Mokosh

There are seven primordial gods in Slavic mythology, and only one of them is female: Mokosh. In the pantheon in the Kievan Rus’ state, she is the only goddess at all, and so her specific role in Slavic mythology is vast and varied, and, more aptly perhaps, foggy and damp. Mother earth and house spirit, tender of sheep and spinner of fate, Mokosh is the supreme Slavic goddess. 

In Slavic mythology, Mokosh, sometimes transliterated as Mokoš and meaning “Friday,” is Moist Mother Earth and thus the most important (or sometimes only) goddess in the religion. As a creator, she is said to have been discovered sleeping in a cave by a flowering spring by the spring god Jarilo, with whom she created the fruits of the earth. She is also the protector of spinning, tending sheep, and wool, patron of merchants and fishermen, who protects cattle from plague and people from drought, disease, drowning, and unclean spirits. 

The origins of Mokosh as mother earth may date to pre-Indo-European times (Cuceteni or Tripolye culture, 6th–5th millennia BCE) when a near-global woman-centered religion is thought to have been in place. Some scholars suggest she may be a version of Finno-Ugric sun goddess Jumala.

In 980 CE, Kievan Rus emperor Vladimir I (died 1015) erected six idols to Slavic gods and included Mokosh in 980 CE, although he took them down when he converted to Christianity. Nestor the Chronicler (11th century CE), a monk at the Monastery of the Caves in Kyiv, mentions her as the only female in his list of seven gods of the Slavs. Versions of her are included in the tales of many different Slavic countries. SOURCE

Mokosh, also called Mokoš, was worshiped by the ancient Slavs as the Goddess of the Earth and fertility. Mokosh is the Goddess who gives and takes life, spinner of the thread of life, giver of the water of life, fertility, and health in marriage. She is most likely a later and more strongly personified variant of the Slavs’ elder earth Goddess: The Damp Mother Earth Goddess.

Appearance and Reputation

Surviving images of Mokosh are rare—although there were stone monuments to her beginning at least as long ago as the 7th century. A wooden cult figure in a wooded area in the Czech Republic is said to be a figure of her. Historical references say she had a large head and long arms, a reference to her connection with spiders and spinning. Symbols associated with her include spindles and cloth, the rhombus, and the Sacred Tree or Pillar.

Some Slavic peasants felt it was wrong to spit on the earth or beat it. During the Spring, practitioners considered the earth pregnant: before March 25 (“Lady Day”), they would neither construct a building or a fence, drive a stake into the ground or sow seed. When peasant women gathered herbs they first lay prone and prayed to Mother Earth to bless any medicinal herbs. SOURCE

Key Takeaways: Mokosh

  • Associated Deities: Tellus, Ziva (Siva), Rusalki (water nixies), Lada 
  • Equivalents: St. Paraskeva Pianitsa (Christian Orthodox); loosely comparable to the Greek Titan Gaia, Hera (Greek), Juno (Roman), Astarte (Semitic)
  • Epithets: Goddess Who Spins Wool, Mother Moist Earth, Flax Woman
  • Culture/Country: Slavonic Culture, Eastern and Central Europe
  • Primary Sources: Nestor Chronicle (a.k.a. Primary Chronicle), Christian-recorded Slavic tales
  • Realms and Powers: Power over the earth, water, and death. Protector of spinning, fertility, grain, cattle, sheep, and wool; fisherman and merchants. 
  • Family: Wife to Perun, lover to Veles and Jarilo
Modern wooden statue of Mother Goddess Mokosh in the Czech Republic

October – The month of Mykosh

Home, calmness, softness, gratitude, feminine grace and creativity are the quiet feelings that permeate the month of Vinotok – October. This is the women’s month, ruled by the East Slavic goddess Mokosh, the great mother, the only goddess in Vladimir of Kiev pantheon, who watches over women. We meet her all over “Slavija” on traditional embroideries, where she is usually depicted as a female creature with birds (symbol of passage), carrying another creature. She is a protector of predicates, women’s affairs, midwives. Her holiday is the last Friday of October month. At that time she is already in the last trimester of pregnancy, when at the winter solstice – she gives birth to a “new sun”.

Mokoš leads us to tune in to ourselves in the fall. All the weaving and sewing of the new future can be successful in the long run only if we know how to look deeply and analytically into the past, learn from mistakes and then resolutely clean up with everything that no longer serves us now. Above all, it is also a time of women’s deepening, where it is important for a man to stand by her side. In the old days, people expressed their love by having a boy carry her spinning wheel home after finishing with spinning together with other girls. Continue reading HERE.

Slavic mysticism is mostly obscure folklore, which is a shame because some mythologies, like Egyptian, Indian, and Greek, have much-written information about them. Some myths came from Slavic lands before Christianity, while others came from complicated Christian bias. So, here is a list of gods and goddesses from Slavic cultures. By reading this book, you can find out about many Slavic goddesses such as Mokosh, Zorya, Lada, Vesna, Marzanna and Many More.

Mokosh, like Brigid, is associated with wells, springs and moisture; the name Mokosh comes from the root ‘mol’ meaning ‘moisture’, and is connected with the Slavic words mokry and moknut (‘wet’ and ‘to get wet’) . Mokosh brings the water of life and protects the life-giving waters on which human and animal existence depend. In this way Mokosh gives life to plants and animals, and is often portrayed with them. She is an important Slavic Mother Goddess, embodying fertility, femininity, prosperity, protection, health, good luck, abundance, and a successful future.

Mokosh is also a warrior goddess, in her fierce aspect as a goddess of protection. One of her epithets is ‘She who strikes with her wings’. The fact that she is a winged Goddess indicates her power and that which she grants to her priestesses and devotees, to travel between the worlds in trance, dream, and vision, for blessing and for healing on behalf of the community and all who are in need. Mokosh is also connected to butterflies, symbols of transformation, and bees, symbols of priestesses in antiquity. Continue reading HERE.

The symbol of Mother Goddess Mokosh

Why is Mokosh still important?

Today, Mokosh is popular as a powerful life-giving force and protector of women. She has a big following amongst Rodnovery women.

They often make small idols out of stone for prayer. The stones are called Mokosh-stones or breast-shaped boulders, and it’s believed that they hold power.

As mentioned above, many places can be found bearing the name of Mokosh, or a similar name. In Eastern Europe, we can find even more villages named after her, and stories that depict her as a woman with uplifted hands.

Mokosh is celebrated in the Rodnovery tradition twice per year, once in Spring around the first or second Friday of May, and once in Fall on the last Friday of October. SOURCE


Meet Mother Mokosh, the Slavic goddess of earth, fertility, love and growth. She is truly amazing, as not much is known about her origins – according to legends, she just appeared out of the blue. She is a creature of emotions – a lover, temptress, mother protecting her children. And her children can be found anywhere, as she was one of the gods who created humankind in Slavic mythology. The most important festivity when this Slavic deity is cherished is Kupala night. It takes place on the day of summer solstice and is an opportunity to find eternal love and a soulmate.

What is associated with Mokosh

  • Spinning yarn
  • Weaving
  • Shearing
  • Protection
  • Childbirth
  • Spell casting
  • Fate
  • Fertility
  • Horses
  • Earth
  • Water
  • Rain
  • Tending Sheep
  • Wool
  • Matron of merchants and fishermen, who protects cattle from plague and people from drought, disease, drowning, and unclean spirits.

Further Resources:

Mokosz/Mokosh – Slavic Great Mother and Protector of Women

The Ancient Earth Mother

Slavic Traditions & Mythology

Slavic Mythology

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Werewolves: History, Folklore and More

The subject of Werewolves have been a fascination of mine since I was a child and still is to this day. There are so many folktales and indigenous lore regarding them found around the world that it is in itself a huge subject that can take years to study. Werewolves have captivated people around the world so much so they can be found in novels, movies and even in festivals. There is so much that can be discussed about these creatures of the night that it would take a series of posts but I decided today to give you a sort of ‘best of’ resources for you to dive into. So with that I hope you enjoy as we get into the topic of the Werewolf.

It’s unclear exactly when and where the werewolf legend originated. Some scholars believe the werewolf made its debut in The Epic of Gilgamesh, the oldest known Western prose, when Gilgamesh jilted a potential lover because she had turned her previous mate into a wolf.

Werewolves made another early appearance in Greek mythology with the Legend of Lycaon. According to the legend, Lycaon, the son of Pelasgus, angered the god Zeus when he served him a meal made from the remains of a sacrificed boy. As punishment, the enraged Zeus turned Lycaon and his sons into wolves.

Werewolves also emerged in early Nordic folklore. The Saga of the Volsungs tells the story of a father and son who discovered wolf pelts that had the power to turn people into wolves for ten days. The father-son duo donned the pelts, transformed into wolves and went on a killing rampage in the forest. Their rampage ended when the father attacked his son, causing a lethal wound. The son only survived because a kind raven gave the father a leaf with healing powers. Continue reading HERE.

Theories of Origin

A recent theory has been proposed to explain werewolf episodes in Europe in the 18th and 19th centuries. Ergot, which causes a form of foodborne illness, is a fungus that grows in place of rye grains in wet growing seasons after very cold winters. Ergot poisoning usually affects whole towns or at least poor areas of towns and results in hallucinations, mass hysteria and paranoia, as well as convulsions and sometimes death. (LSD can be derived from ergot.)

Ergot poisoning has been proposed as both a cause of an individual believing that he or she is a werewolf and of a whole town believing that they had seen a werewolf. However, this theory is controversial and unsatisfactory. Witchcraft hysteria and legends of animal transformations, as well as hysteria and superstition in general, have existed across the world for all of recorded history. Even if ergot poisoning is found to be an accurate explanation in some cases, it cannot be applied to all instances. An over-reliance on any one theory denies the diversity and complexity of such occurrences.

Some modern researchers have tried to use conditions such as rabies, hypertrichosis (excessive hair growth over the entire body) or porphyria (an enzyme disorder with symptoms including hallucinations and paranoia) as an explanation for werewolf beliefs. Congenital erythropoietic porphyria has clinical features which include photosensitivity (so sufferers only go out at night), hairy hands and face, poorly healing skin, pink urine, and reddish colour to the teeth.

There is also a rare mental disorder called clinical lycanthropy, in which an affected person has a delusional belief that he or she is transforming into another animal, although not always a wolf or werewolf.

Others believe werewolf legends arose as a part of shamanism and totem animals in primitive and nature-based cultures.

The term therianthropy has been adopted to describe a spiritual concept in which the individual believes he or she has the spirit or soul, in whole or in part, of a non-human animal. SOURCE

Etymology

The belief in werewolves is not just a European phenomenon but is encountered world wide. This is apparent when considering the etymology of the word. Medieval Europe held strong beliefs in the existence of werewolves during the 15th to 17th centuries, which was reflected in the literature of the time. The term lycanthropy is derived from lycanthropos of ancient Greece meaning wolf plus man (Rose, 2000).

In Old English werewolf is derived from wer or were signifying man, and the word wulf for wolf. In Old Welsh there is gwir and Old Irish has tear where wild dog is used synonymously for wolf. Again, weri from Old English means to wear the skin of a wolf, perhaps ritually. The word is compounded from lyc from the Proto-Indo-European root wlkwo meaning wolf, hence the vira of Sansrit, and the vir of Latin. Counterparts of the English word werewolf are found in the Germanic form of wehr-wolf, a variation meaning man-wolf. A cognate is the Gothic word wair, the wer of Old High German. I France the derivation of loup-garou is from the loup for wolf.

In Eastern Europe the idea of the werewolf is related closely to the concept of the vampire, referred to in Serbia as the vukodlak. In Lithuania the werewolf is called vyras. The word vampire in Slavonic languages is vampire and the origin of the English term, with the Greek vrykolakas originating amongst the Serbs, with werewolf being wilkolak amongst the Poles. For the Scandinavians the Old Norse cognate is verr. Again, in Old Norse there is the vargulf, a wolf that kills large numbers of livestock, which connects with warg-wolf. The words warg, werg, and wera are cognate with the vargr of Old Norse. This refers to an outlaw being regarded as a wolf, a ulfhednar seen as a wolf-like berserker wearing wolf skins in battle. SOURCE

Since before recorded history, werewolves have captivated human imagination. Simultaneously, they represent our deepest fears as well as our desire to connect with our primal ancestry. Today, werewolves are portrayed negatively, associated with violence, cruelty, cannibalism, and general malevolence.

However, in ages past, legends depicted them not as monsters, but as a range of neutral to benevolent individuals, such as traveling companions, guardians, and knights. The robust legacy of the werewolf spans from prehistory, through ancient Greece and Rome, to the Middle Ages, into the Early Modern period, and finally into present-day popular culture. Over the ages, the view of the werewolf has become distorted. Media treatment of werewolves is associated with inferior writing, lacking in thought, depth, and meaning. Werewolves as characters or creatures are now generally seen as single-minded and one-dimensional, and they want nothing more than to kill, devour, and possibly violate humans.

Hollywood depictions have resulted in the destruction of the true meanings behind werewolf legends that fascinated and terrified humans for so many ages. If these negative trends were reversed, perhaps entertainment might not only discover again some of the true meanings behind the werewolf myth, but also take the first steps toward reversing negative portrayals of wolves themselves, which humans have, for eons, wrongfully stigmatized and portrayed as evil, resulting in wolves receiving crueler treatment than virtually any other animal.

To revive the many questions posed by lycanthropy, entertainment must show respect to the rich history of so many cultures all around the world – and rediscover the legend of the werewolf.

“English folk-lore is singularly barren of were-wolf stories, the reason being that wolves had been extirpated from England under the Anglo-Saxon kings, and therefore ceased to be objects of dread to the people. The traditional belief in were-wolfism must, however, have remained long in the popular mind, though at present it has disappeared, for the word occurs in old ballads and romances.“

“The Book of Werewolves by Sabine Baring Gould (1865)

The ‘werewolf gap’: it’s all about the folklore

Between St Augustine (c. AD 400) and the twelfth-century flowering of werewolf stories we hear nothing about them. What are we to make of this 500-year gap? A simple explanation might be that the authors of the twelfth century rediscovered the long-forgotten werewolves in their ancient texts and just chose to start writing about them again. Such an explanation might initially seem to be favoured by the fact that Marie de France’s Anglo-Norman werewolf poem Bisclavret of AD 1160-78, for example, has much in common with Petronius’ story: signally, we find the recurring theme of the werewolf’s need to keep his clothes safe if he is to be able to recover his human form, with Bisclavret hiding his clothes under a rock when it is time for him to transform. However, it is unlikely that Marie had direct access to Petronius’ story…

The more interesting and intriguing possibility is that werewolves just went underground, as it were, and continued to thrive under the radar in the realm of folklore and folktale throughout these centuries, only to resurface into the world of fine literature again in the twelfth. And this is almost certainly what happened. A clue to this is to be found in what is a central theme of Marie de France’s tale, and the tales of other writers of her age: that of the adulterous wife.

When Bisclavret’s wife learns that he is a werewolf, she makes him reveal where he hides his clothes whilst under transformation, and accordingly steals them and makes off with them with the help of her lover, with whom she then elopes, leaving Bisclavret stranded as a wolf for many years before his is able to take his revenge on the pair and recover his human form. When we look back at Petronius’ tale we can see that the motif of an adulterous wife is already lurking in it in an incidental detail of which nothing is made: Melissa is conducting an adulterous affair with Niceros. There is no obvious reason why Marie and the writers of her time should have seized upon this incidental detail and elaborated it so greatly – even if they did, after all, have access to Petronius’ text. It is much more likely that, as an artful writer, Petronius had included the incidental detail of the adulterous wife in order to allude to another, related werewolf story he was familiar with but was not on this occasion telling. It will then have been upon this second story, preserved in folklore alone for a millennium, that Marie and her contemporary writers were eventually to seize. SOURCE

Legends Of The Werewolves

‘Real’ Werewolves

Today, werewolves are known to be mythical creatures found in fiction instead of lurking in the dark woods, but that was not always the case. Not so long ago, belief in werewolves was common. Overall, there was little difference between the killings and activities of wolves and werewolves: both would hunt at night, attacking sheep or livestock, and sometimes humans. The main difference was, of course, that the werewolf changed into human form at some point.

There are several medical conditions that can mimic the appearance of a werewolf and may have contributed to early belief in the literal existence of the creatures. One is hypertrichosis, which creates unusually long hair on the face and body; a second condition, porphyria, is characterized by extreme sensitivity to light (thus encouraging its victims to only go out at night), seizures, anxiety, and other symptoms. Neither of these rare conditions turns anyone into a werewolf, of course, but centuries ago when belief in witches, vampires, and magic was common it didn’t take much to spawn werewolf stories.

Clinical lycanthropy is a recognized medical condition in which a person believes himself or herself to be an animal, and indeed there are rare cases where people have claimed to be werewolves. For example in 1589, a German man named Peter Stubbe claimed to own a belt of wolf skin that allowed him to change into a wolf: His body would bend into a lupine form; his teeth would multiply in his mouth; and he craved human blood. Continue reading HERE.

An exploration of werewolf beliefs and legends from Classical Antiquity to the post-medieval period

• Examines werewolf tales and stories from early Greece, Scandinavia, France, Germany, Eastern Europe, China, and Japan, as well as legends of other shapeshifting creatures such as were-tigers, were-jackals, and were-caribou

• Looks at the various ways people become werewolves, including pacts with the devil, magic, and spells, and explores ways to identify, escape, and do away with werewolves

• Includes the trial records from medieval Europe for individuals who were tried on suspicion of being werewolves and the personal records of people whose spouses could shapeshift into wolves

An animal both mythical and real, a terrifying predator and the villain in many a fairytale, the wolf has haunted the human imagination since prehistoric times. Even more disturbing is the possibility that some individuals can change into wolves. These werewolves, or lycanthropes, are able to divest themselves of their human nature and transform into enemies that are all the more dangerous as no one knows who they are. Means of protecting oneself from this beast have been a concern for people since Classical Antiquity, and werewolf legends offer both fascinating tales of horror as well as advice for thwarting these creatures or breaking the werewolf curse.

In this exploration of werewolf folktales, legends, and historical accounts, Claude Lecouteux examines werewolf beliefs and stories from early Greece to the post-medieval age, including the beliefs of the Norse and tales from France, Germany, Eastern Europe, China, and Japan. The author includes the trial records from medieval Europe for individuals who were tried on suspicion of being werewolves and the personal records of people whose spouses could shapeshift into wolves. He investigates the nature of the werewolf, how it can act as the double or lead to out-of-body experiences, and its counterparts in other parts of the world such as were-tigers, were-jackals, and even were-caribou in the Inuit regions of North America. Lecouteux also looks at the various ways people become werewolves, including pacts with the devil and spells, and explores ways to identify, escape, and do away with werewolves. Sharing werewolf mysteries from around the world, Lecouteux shows that by studying the legends of the werewolf we also gain insight into the psyche and ancient imagination of humanity.

Curse or Power?

Various methods for becoming a werewolf have been reported, one of the simplest being the removal of clothing and putting on a belt made of wolf skin, probably as a substitute for the assumption of an entire animal skin (which also is frequently described). In other cases, the body is rubbed with a magic salve. Drinking rainwater out of the footprint of the animal in question or from certain enchanted streams were also considered effectual modes of accomplishing metamorphosis. The 16th century Swedish writer Olaus Magnus says that the Livonian werewolves were initiated by draining a cup of specially prepared beer and repeating a set formula. Ralston in his Songs of the Russian People gives the form of incantation still familiar in Russia.

In Italy, France and Germany, it was said that a man or woman could turn into a werewolf if he or she, on a certain Wednesday or Friday, slept outside on a summer night with the full moon shining directly on his face.

In Brazil, it is believed that when a woman has seven daughters and the eighth child is a man, the latter is likely to be a werewolf.

Becoming a werewolf simply by being bitten or scratched by another werewolf as a form of contagion is common in modern horror fiction, but this kind of transmission is rare in legend, unlike the case in vampirism.

Even if the denotation of lycanthropy is limited to the wolf-metamorphosis of living human beings, the beliefs classed together under this head are far from uniform, and the term is somewhat capriciously applied. The transformation may be temporary or permanent; the were-animal may be the man himself metamorphosed; may be his double whose activity leaves the real man to all appearance unchanged; may be his soul, which goes forth seeking whom it may devour, leaving its body in a state of trance; or it may be no more than the messenger of the human being, a real animal or a familiar spirit, whose intimate connection with its owner is shown by the fact that any injury to it is believed, by a phenomenon known as repercussion, to cause a corresponding injury to the human being. SOURCE

Woodcut of a werewolf attack (1512). Lucas Cranach the Elder.

So as you have seen here there is a vast amount of information regarding the subject of Werewolves which can take someone a great deal of time to look over. I truly enjoy this subject and will just leave you with this. Medically yes there are those inflicted with a genetic disorder to give them the appearance of a Werewolf at no fault of their own. We can clearly see that around the world Werewolves are woven into folklore and modern culture. So the question could be asked, do werewolves or some sort of cryptid wolf-like being exist? Did Werewolf type creatures once roam this world and have in some mysterious way vanished? Could they still exist but be as rare as Hen’s teeth? The truth is we cannot really answer these questions with certainty but the open-minded side of me likes to think it is possible.

Further Resources

The Werewolves of Latvia

Werewolf Legends from Around the World

The Origins of Werewolves

The Scottish Wulver

The Werewolf in Norway: Everything You Need to Know

Werewolves that Fish and Fight in Battles: The Scottish Wulver and Irish Faoladh in Folklore

The Long, Hidden History of the Viking Obsession With Werewolves

King Lycaon Mythology | What is the Greek Origin of Werewolves?

Werewolf Legends from Germany

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Seahorses: Folklore, Symbolism and More

Seahorses are certainly a unique aquatic animal of the oceans and has fascinating unique qualities that make them really stand out. I have always enjoyed watching these beautiful marine animals and even have one tattooed as a part of my left sleeve dedicated to the sea. What molts people may not know is that there are 57 species of Seahorses, including seadragons and pipefish. Also Seahorses can be found in mythology and folklore around the world anywhere there is land meeting the oceans. They also can be one’s spirit animal and have amazing symbolism which I will cover as well in this post.

Until you see one for yourself, it’s easy to believe that seahorses are pure make-believe. So curious, so magical, they seem to have wandered straight out of a book of fairy tales. Even a dead, dried seahorse washed up on a beach keeps its otherworldly shape, encased in its enduring bony armour, waiting for someone to come along, pick it up and wonder what it might be. A miniature dragon? An enchanted serpent? It’s no wonder seahorses have been puzzling people around the world for centuries, inspiring them to tell stories, pass on myths and legends, and find mystical uses for these most charming sea creatures.

Some of the oldest seahorse stories tell of the Greek sea god Poseidon galloping through the oceans on a golden chariot pulled by hippocampus, the beast that was half horse and half fish (today, the seahorses’ scientific name also happens to be Hippocampus). It’s thought ancient Greek fishermen believed the real seahorses they sometimes found tangled in their nets were the offspring of Poseidon’s mighty steeds.

All sorts of ancient Mediterranean art and objects depict the hippocampus. Phoenicians and Etruscans often painted these watery horses on the walls of burial chambers, accompanying the dead on their voyage across the seas and into the afterlife. There’s even a single hippocampus from ancient Egypt painted on a mummy’s coffin.

Many other legends tell stories of watery spirits that take the form of horses. Scottish lochs are said to be haunted by “kelpies”. They come onto dry land and graze with other, normal horses but if you mount and ride one you’ll be dragged underwater as your steed tries to drown and eat you. Similar malevolent beasts were called “tangies” in the Orkney Isles and “shoopiltrees” in the Shetlands. Scandinavian legends tell of the “havhest”, a huge sea serpent, half horse and half fish like hippocampus, that could breathe fire and sink ships. Continue reading HERE.

Absolutely captivating creatures, seahorses seem like a product of myth and imagination rather than of nature. They are small, elusive, and are named for their heads, which are shaped like miniature ponies with tiny snouts. They swim slowly upright by rapidly fanning their delicate dorsal fin, coil their tails to anchor themselves in a drift, and spend days in a dancing courtship. Afterward, it is the male who carries the female’s eggs in his pouch and hatches the young. Seahorses are found worldwide, and they are highly sensitive to environmental destruction and disturbance, making them the flagship species for shallow-water habitat conservation. They are as ecologically important as they are beautiful.

Seahorses celebrates the remarkable variety of seahorse species as well as their exquisiteness. 57 species, including seadragons and pipefish, are presented in lush, life-size photographs alongside descriptive drawings, and each entry includes detailed and up-to-date information on natural history and conservation. Sara Lourie, a foremost expert on seahorse taxonomy, presents captivating stories of species that range from less than an inch to over a foot in height, while highlighting recent discoveries and ecological concerns. Accessibly written, but comprehensive in scope, this book will be a stunning and invaluable reference on seahorse evolution, biology, habitat, and behavior.

Masters of camouflage and rarely seen, seahorses continue to be a fascinating subject of active research. This visually rich and informative book is certain to become the authoritative guide to these charming and unusual wonders of the sea, beloved at aquariums the world over.

In Roman mythology, seahorses were the steeds of Neptune, deity of the Upper Waters. As attributes of Neptune, they represented cosmic forces and the rhythm of the waves. They were also the steeds of Poseidon, a Greek sea god. Daily, Poseidon rode through the ocean on a chariot pulled by seahorses.

Seahorses represented the lunar and humid element of the sea and chaos. Seahorses also carried the dead safely to the underworld. Because of their unique form, the Chinese regarded seahorses as the lesser sons of dragons. In Norse myth, they symbolized the power of water. SOURCE

These animals aren’t like any other living creatures on Earth, they look like they came from some other planet. Biologically speaking, they are quite different from all other terrestrial beings, which has put them in the spotlight a long time ago. At the same time, they look very funny, especially when dancing in the water. The offspring of these creatures are born not by females, as usual, but by males, which sets them apart from all other terrestrial beings. The smallest species of these creatures are only 2 centimeters long, and the largest are up to 30. Their body is covered with spikes. They serve both as camouflage and protection from predators because they don’t know how to defend themselves.

Seahorse Spirit Animal

The Seahorse teaches balance in parenting, how to get in touch with the Masculine Divine, and to get through difficult periods with greater ease. Delve deeply in Seahorse symbolism and meaning to find out how this animal spirit guide can support, assist, and inspire you.

Many ancient cultures connected the Seahorse with various Divine beings.

In Rome and Greece, for example, the Seahorse was sacred to Poseidon and Neptune, potent sea gods. As a result, one of the keynote meanings for Seahorse is one of power and authority, particularly in matters of emotion and intuition because of the Water Element involved.

A rather lovely story from Greco-Roman times indicates that the Seahorse is a guide to drown sailors.

This creature safely guides them through the spiritual vortex until they reach their ordained fate in the afterlife (is it any wonder that sailors used seahorse images as luck charms?). SOURCE

Seahorse Symbolism

  • Water Elemental
  • The Afterlife
  • Power
  • Luck
  • Alchemy
  • Safety
  • Kindness
  • Perception
  • Kindness
  • Manners
  • Pacing
  • Tenacity
  • Progress
  • Ingenuity
  • Stealth
  • Authority
  • Fatherhood
  • Partnership
Frederick Stuart Church’s The Mermaid, 1887

Further Resources:

10 Seahorse Symbolism Facts & Meaning: A Totem, Spirit & Power Animal

Seahorses in Myth, Legend & Art

What are the links between seahorses, folklore and Newcastle upon Tyne?

Seahorse Symbolism & Meaning & the Seahorse Spirit Animal

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Thrymr: Norse Giant and His Moon

Þrymr

The jötunn who stole Thor’s hammer Mjöllnir. He is solely attested in the eddic poem Þrymskviða.

One morning, upon waking, Thor discovers that his hammer is missing. He tells Loki and together they go to Freyja’s dwelling to borrow her feather-dress so that he might go looking for his hammer, and Freyja consents. Loki dons the feather-dress and flies until he reaches Jötunheimr. He sees Þrymr sitting on a mound and asks him if he has hidden Hlórriði‘s hammer. The giant confirms that he has hidden it eight miles deep in the earth and says that it will remain there unless Freyja is given to him as his wife.

Loki returns to Ásgarðr and tells Thor that Þrymr has his hammer but that he will not get it back unless they bring Freyja. They go to Freyja and instruct her to put on her bridal dress and come with them to Jötunheimr. Freyja is furious and refuses to go, so the gods hold council how they might get the hammer back. Heimdallr proposes that Thor disguises himself as the goddess, wearing a woman’s dress, a veil, and the Brísinga necklace. Thor reluctantly agrees. Continue reading HERE.

Þrymskviða (often spelled Thrymskvida) is one of the most famous poems of the Poetic Edda, telling of the time Thor had to put on a wedding dress to get his stolen hammer (Mjǫllnir) back.

Þrymskviða
The Lay of Thrym

The Thrymskwitha is one of the very best of the Eddie poems. It is the dramatic story of how Thor, aided by Loki, got back his famous hammer. Thrym had stolen it, and he would not give it up until they would bring him Freyja to wife; but she very indignantly refused to get married under any such terms. It is finally arranged, though much against his will, that Thor himself must dress up to impersonate Freyja, and go up to get married to the giant Thrym. The latter half of the poem contains the carrying out of this plan. But Thor is the great thunder-god. He is the largest and strongest of them all, and a ravenous eater and drinker. The story is elsewhere told of him that once, in a drinking contest, he lowered the sea several inches. It is he alone that was not allowed to walk over the bridge of the rainbow for fear he might break it down. What could be more incongruous and ludicrous, then, than to have this great clumsy god dress up as Freyja, the fairest of the goddesses, and to go off in her name to marry the ice-giant Thrym! The Norse poet has made good use of his opportunities, and we have in this poem a masterpiece of its kind. Continue reading HERE.

Þrymr (Thrymr, Thrym; “uproar”) was king of the jotnar. His kingdom was called Jötunheimr. In one legend, he stole Mjollnir, Thor’s hammer, to extort the gods into giving him Freyja as his wife. © Nataša Ilinčić

Thrymr Moon of Saturn

N00178353.jpg was taken on 2011-11-26 07:04 (PST) and received on Earth 2011-11-27 01:07 (PST). The camera was pointing toward Thrymr, and the image was taken using the CL1 and CL2 filters. This image has not been validated or calibrated. A validated/calibrated image will be archived with the NASA Planetary Data System

Discovery

Thrymr was discovered in 2000 by Brett J. Gladman, John J. Kavelaars, Jean-Marc Petit, Hans Scholl, Matthew J. Holman, Brian G. Marsden, Phillip D. Nicholson, and Joseph A. Burns using the 3.6-m Canada-France-Hawaii reflector on Mauna Kea in Hawaii, with adaptive optics. They discovered seven other Saturnian moons at the same time: Tarvos, Ijiraq, Suttungr, Skathi, Siarnaq, Erriapus, and Mundilfari.

Overview

Thrymr has a mean radius of 2.2 miles (3.5 kilometers), assuming an albedo (a measure of how reflective the surface is) of 0.06. It orbits Saturn at an inclination of about 174 degrees and an eccentricity of about 0.5. At a mean distance of 12.7 million miles (20.4 million kilometers) from Saturn, the moon takes about 1,094 Earth days to complete one orbit.

Thrymr is a member of the Norse group of moons. These “irregular” moons have retrograde orbits around Saturn – traveling around in the opposite direction from the planet’s rotation. Thrymr and the other Norse moons also have eccentric orbits, meaning they are more elongated than circular.

Like Saturn’s other irregular moons, Thrymr is thought to be an object that was captured by Saturn’s gravity, rather than having accreted from the dusty disk that surrounded the newly formed planet as the regular moons are thought to have done.

How Thrymr Got Its Name

Originally called S/2000 S7, Thrymr was named for a giant in Norse mythology who stole Thor’s hammer and offered to return it only if the gods gave him the very beautiful goddess Freyia to be his wife. The gods agree, but instead send Thor, disguised as Freyia. Thor as Freyia orders the hammer to be placed on “her” knee, whereupon Thor uses the hammer to kill Thrymr, along with the giant’s sister, who had asked for “Freyia’s” rings. SOURCE

Launched three years before the new century… a spacecraft wound its way through the empty reaches of the solar system. On Earth, its progress was little noted, as it swung twice by the planet Venus, then our moon. And Earth. The asteroid belt. And Jupiter. Almost seven years later, on the first of July 2004, the Cassini probe entered the orbit of Saturn. It then began to compile what has become one of the greatest photographic collections of all time, of a giant gas planet, surrounded by colorful rings, guarded by a diverse collection of moons, and millions of tiny moonlets.

Further Resources:

Þrymskviða : The Lay of Thrym

THRYMSKVITHA

Þrymskviða

Thrymr Moon Facts

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NGC 2359: Thor’s Helmet Nebula

This helmet-shaped cosmic cloud with wing-like appendages is popularly called Thor’s Helmet. Heroically sized even for a Norse god, Thor’s Helmet is about 30 light-years across. In fact, the helmet is more like an interstellar bubble, blown as a fast wind from the bright, massive star near the bubble’s center sweeps through a surrounding molecular cloud. Known as a Wolf-Rayet star, the central star is an extremely hot giant thought to be in a brief, pre-supernova stage of evolution. Cataloged as NGC 2359, the nebula is located about 15,000 light-years away in the constellation Canis Major. The sharp image, made using broadband and narrowband filters, captures striking details of the nebula’s filamentary structures. It shows off a blue-green color from strong emission due to oxygen atoms in the glowing gas. SOURCE

I combined 3 nights of imaging on the target of Thor’s Helmet … NGC 2359 using a broadband one-shot-color camera and two other nights using a monochrome camera using narrowband filters of Oxygen 3 and Hydrogen-Alpha. The combination of the images provided a colorful deep space target. Watch to see how I did this.

Sky Rider by Justin Douglas Blackford

I soar aloft the sky
And see what lies below.

I create the clatter
That comes with the lightning.

I am the bane of thurses,
Trolls, tyrants, and chaos.

I destroy disorder
And halt the dark forces.

I ride to bring the rain,
Making red clouds above.

I was, am, and will be
Always in the Nine Worlds.

Thor’s Helmet gets its glow from the massive unstable star WR7, a so-called “Wolf-Rayet” star which ejects much of its gaseous outer layers into space at speeds of up to 2,000 km/s. The ejected material from the star runs into the slower-moving gas floating between the stars. The collision excites the surrounding gas and causes it to emit light.

Wolf-Rayet stars are massive, fast-burning, and short-lived stars on their way to exploding as a supernovae. This phase of the star’s life only lasts briefly, which means Wolf-Rayet stars are quite rare. Only 150 have been discovered in the Milky Way.

The interstellar gas in and around this nebula is chemically enriched by the entrails of the Wolf-Rayet star. The rich blue-green color of the nebula comes from ionized oxygen ejected by the star. The reddish-pink color comes from excited hydrogen gas from the star and in the interstellar medium. Continue reading HERE.

In this video, I am Photographing Thors Helmet Nebula through my Zenithstar 81 Apo refractor telescope.

Thor in the Cosmos

Mjöllnir: Thor’s Short-Handled Hammer  

Recently we have shown that by comparing the classical  constellations with eddic myths many figures of the myths can be identified. By investigating the Völundarkvida it was possible to find the sword of Völund in Nidud’s possession. The sword is the brightest star of the northern starry sky, Arcturus. Nidud is depicted as the herdsman Böotes. Surely it’s possible to equate Surtur holding Frey’s sword with Böotes and Arcturus as well. We also find the maiden Bödhild as the constellation Virgo bearing the golden ear of grain that can be seen in the northern myth either as a twig called mistiltein or as a golden ring. Continue reading HERE.

Thor’s Iron Glove: Járnglófar/Járngreipr

The head of Cetus is near to the Pleiades and to the constellation Taurus and explains perfectly why Thor needs it to hold the hammer Mjölnir.

In addition this asterism can explain some obscure details in other stories. In Skáldskaparmál Thor uses in his fight with Geirröd not his hammer to smash the giant but the glove Járngreipr to throw back a piece of hot iron. I assume the story describes the rising of the head of Cetus and the setting of Böotes (Geirröd) and the bright star Arcturus (the hot piece of iron). The tongs Geirrödr is using could be the claws of Scorpio, the iron pillar he is hiding behind is the Milky Way in the Sagittarius/Scorpio region. SOURCE

A Marriage Made in Heaven: Thor as the Bride of Thrym

Thrymskvida, the story of how Thor’s hammer Mjöllnir was stolen by the giant (thurs) Thrym and how he rescued it by disguising himself as a bride pretending to be Freyja and finally smashing Thrym with his hammer, is one of the most famous Eddic poems. It seems to be one of the oldest poems handed down to us. Nevertheless it puzzled scholars due to its content. Most see it as a genuine pre-christian poem, whereas others suspect it to be a christian parody as they find it hard to believe that one of the highest Germanic gods would have allowed himself to be dressed as a bride. See the Thrymskvida Study Guide for details.

In the case of Thrymskvida, it may be fruitful to assume an astral background of the Eddic story. As I already discussed in the essay Mjöllnir – Thor’s short handled hammer it seems to be possible to connect the hammer Mjöllnir with the asterism of the Pleiades, a part of the constellation Taurus. Indeed this asterism has the shape of a hammer with a short handle. Therefore in an astronomical context the poem would describe how the asterism of the Pleiades disappears at the western horizon and how it reappears in the east. Continue reading HERE.

Further Resources:

Thor’s Helmet: Skywatcher Sees Glowing Gas Space Bubble

Thor’s Helmet (NGC 2359) and Planetary Nebula

NGC 2359: Thor’s Helmet

Odin’s Gifts – Thor

Thor’s Helmet

Pictures of Thor’s Helmet Nebula

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Loki and Logi: Here Are My Thoughts

For many years I have been fascinated with some similarities and commonalities between the ancient Norse God of Fire Logi and the Norse God, one of my,main deities, Loki who has been associated with fire as well as cunning, wit, counsel and balance; the mischief aspect is over exaggerated at times.

For years on Facebook I covered a lot about Loki in-depth on posts both controversial and scholastically.

I have been looking deeper into Loki’s family tree and while reading about his first known mistress, Glut, I of course was interested in how Logi was connected. Due to the story of how Logi married Glut after Loki left her to be with Angrboda. But there are a number of things I will not get into yet that have me a bit curious on a few things regarding both Gods. I must add that the theory of Loki and Glut having a relationship is one that has been discussed by others besides me and is only an interpretation based on the little information that exists.

I cannot help but wonder if there is a chance if one of the following is possible. Especially after discussing it for quite a while with several close friends who were helping me look into the connections between the two. It is a highly debatable subject that we found out has a lot of twists and turns down a Norse Pantheon rabbit hole.

Loki Laufeyjarson is the famous trickster of Norse Mythology, who brings its pages to life with conflict, humor, and excitement. Far from being just a villain or a prankster, Loki is a god who brings necessary change into the world, transcends boundaries, and shines light on hidden truth. In this book, you will be introduced to Loki and the many masks he wears: whether he appears as the bringer of enlightenment, the traveling companion of the gods, or the ender of worlds. This is also an accessible guide to building a devotional practice with the trickster, where you will learn new ways to honor this often misunderstood deity. Open the door to Loki’s mysteries, and prepare to laugh, be challenged, and potentially change your life.

So here are some thoughts I share with several friends and I always find it interesting what others may think. The theories I have researched are the following:

1. Logi and Loki possibly brothers? (Due to parents not likely but not ruled out)

2. Logi and Loki possibly half brothers? (From what was discussed this could be possible)

3. Possibly an “Adoption” of one or the other due to unknown circumstances. This is something that is not uncommon among the Gods.

4. A yet unknown possibility like a transformation in the telling of the Gods from very ancient times. Meaning since Loki is a shapeshifter and had lust for two women, Glut and Angrboda at the time, was Logi in actuality Loki? If that is true this would mean Loki has more children than what has been considered. Those of Glut, two daughters, Einmyria (Ashes) and Eisa (Embers).

5. Or, this is just very deep theoretical back and forth brainstorming by a group of good friends who are Pathwalkers of Norse Paganism and none of this is true? Either way it makes for fun discussion and last night was quite the intellectually fun fest.

The ancient ancient Norse Fire Spirit god Logi is associated always with the element of fire.

I must add that Logi, the Norse fire spirit god is said to be the brother of Kari, the Norse god of the Northern winds and Ægir, the Norse god of the seas.

So with that said I am just going to provide some resources I have collected through my research and let you see for yourself how you feel about such possibilities.

The Resources:

Who is Logi?

Who is Glut?

Playing With Fire: An Exploration of Loki Laufeyjarson

The Flame and the Fire

Norse Sea-Giants in more detail…

Loki: A Humble Dose of Mythos

The forces of Nature – Ægir

A Word On Loki

LOKASENNA Loki’s Wrangling

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Astronomy of the Germanic and Scandinavian Sky

Since the dawn of civilization, humans have been looking at the night sky viewing the stars, constellations, planet alignments, the moon and more. The vastness of space has been intertwined into folklore, myths and stories of Gods and Goddesses all over the world. It is a subject I have been fascinated with for many years with my interest specifically focusing on star navigation at sea and the ancient Astronomy found in Germanic and Scandinavian history. So today I wanted to share with you some amazing resources on this very topic regarding the ancient and some modern interpretations of Germanic and Scandinavian astronomy.

Our understanding of ancient astronomy in Northern Europe has been limited because no record exists of the native constellations among the Germanic tribes in ancient times. They certainly did not know of the constellations of the south have become our standard ones today. However, it would be unusual to suppose they never had any, only that the knowledge of them has not come down to us.

Fortunately, the surviving mythology of Scandinavia has left us enough clues to allow us to piece together this forgotten knowledge of the past. At the time these myths were recorded in 13th century Iceland the people no longer believed in the old religion. However, even back during the Viking Age, before the year 1000 AD, when the religion was still strong, many of the beliefs held then seem already to have been understood only in abstract terms, while the naturalistic explanations they embodied went back even further.

It is now clear that the mythology of Scandinavia as we know it arose from a fusion of traditional local gods with several other more widespread traditions. While the myths attained their present form within the Iron Age, some elements and aspects of it go back even into the Stone Age, when humans were first trying to make sense of their universe. SOURCE

Bronze age sky disk

A group of German scientists has deciphered the meaning of one of the most spectacular archeological discoveries in recent years: The mystery-shrouded sky disc of Nebra was used as an advanced astronomical clock.

The purpose of the 3,600 year-old sky disc of Nebra, which caused a world-wide sensation when it was brought to the attention of the German public in 2002, is no longer a matter of speculation.

A group of German scholars who studied this archaeological gem has discovered evidence which suggests that the disc was used as a complex astronomical clock for the harmonization of solar and lunar calendars.

Unlike the solar calendar, which indicates the position of the earth as it revolves around the sun, the lunar calendar is based on the phases of the moon. A lunar year is eleven days shorter than the solar year because 12 synodic months, or 12 returns of the moon to the new phase, take only 354 days.

The sky disc of Nebra was used to determine if and when a thirteenth month — the so-called intercalary month — should be added to a lunar year to keep the lunar calendar in sync with the seasons. Continue reading HERE.

For thousands of years people have looked up to the night sky and told stories about the stars. These epic tales tell of vengeful gods and goddesses, of monsters and heroes. Others try to make sense of the natural world, or unravel the mysterious forces of the universe. This stunning book brings together 23 of these legends from all over the world: from Ancient Greece to North America, Egypt, China, India, and the South Pacific. Written by award-winning author Anita Ganeri and with beautifully detailed artwork by illustrator Andy Wilx, this is a magical book to be treasured for generations to come.

Scandinavian Daymarks

The Egyptians, Babylonians, Greeks, and Romans all lived far enough north of the equator that they could not rely on a fairly constant Sun-path over the year, as people in the tropics did, but they were not so far from the equator that the differing lengths of day and night made it difficult for them to use their “temporal hours”, even though their lengths changed somewhat over the course of the year.

Very far north (or south) of the equator, however, the difference between the length of daylight time in the summer is very much greater than in the winter. In parts of Scandinavia above the Arctic Circle (at a latitude of 66.5° North) the Sun does not set at all for part of the summer–it is daylight all the time. On the other hand, for part of the winter the Sun does not rise in these same areas. Obviously there is no point in dividing the daytime or nighttime into twelve sections if they are not taking place! Even if the Sun sets for only three of our modern hours in the summer, if one is dividing the daytime and nighttime into Babylonian/Egyptian-style “temporal hours”, the nighttime hours will be so short compared to the daytime hours that there is hardly any point in making the divisions.

However, even very far north (or south), no matter where the Sun rises or sets, the middle of its path is above about the same part of the horizon. That means you can always tell when the middle of the day is if you know above which point on the horizon the highest point of the Sun’s path is. Also, no matter how high the Sun is above the horizon, it always passes over the same points on the horizon after the same interval of time. Using these facts, the people living in Scandinavia developed a system of time-keeping quite different than the Babylonian/Egyptian system.

As said earlier, our modern system of time-keeping divides each sun-cycle into twenty-four hours, each of which is 60 minutes long. The Scandinavians divided each sun-cycle (sólarhringr, “sun-ring” in their language) into eight sections. They did this by dividing the horizon into eight sections (north, northeast, east, southeast, south, southwest, west, and northwest). Each of these sections was called an eighth (átt or eykt). 3 A place on the horizon which lay dead center in any of these eight directions (due north, due northeast, etc.) was called a daymark (dagmark). 4 The identified the time by noting when the Sun stood over one of these daymark-points on the horizon. Continue reading HERE.

The Vikings used the stars to navigate across the seas on boats like the Skidbladner. They gave their own names to what they observed above them. The North Star (Polaris) is ever present in our northern skies. They called it Leidarstjarna, meaning ‘guiding star’. Watch this animation about the Vikings and the stars.

Viking Age Star and Constellation Names

While the Germanic peoples obviously knew the night skies and had names for the objects they saw therein, as Grimm goes on to comment, few of the old names have been preserved.

Snorri Sturluson’s Prose Edda says in Gylfaginning:

Þá tóku þeir síur ok gneista þá, er lausir fóru ok kastat hafði ór Múspellsheimi, ok settu á mitt Ginnungap á himin bæði ofan ok neðan til at lýsa himin ok jörð. Þeir gáfu staðar öllum eldingum, sumum á himni, sumar fóru lausar undir himni, ok settu þó þeim stað ok skipuðu göngu þeim. Svá er sagt í fornum vísindum, at þaðan af váru dægr greind ok áratal.

[Then they (the gods) took the sparks and burning embers that were flying about after they had been blown out of Muspellheimr, and placed them in the midst of the firmament (Ginnungagap) both above and below to give light heaven and earth. They gave their stations to all the fires, some fixed in the sky, some moved in a wandering course beneath the sky, but they appointed them places and ordained their courses.]

Vôluspá in the Poetic Edda expresses the same idea:

Sól það né vissi
hvar hún sali átti,
stjörnur það né vissu
hvar þær staði áttu,
máni það né vissi
hvað hann megins átti.

[The sun knew not
where she had her hall,
the stars knew not where they had a stead,
the moon knew not
what power he possessed.]

Elsewhere in the Poetic Edda, the poem Alvíssmál gives a complex series of astronomical synonyms attributed to the various races of the Norse cosmos, but doesn’t name stars or constellations:

Þórr kvað:
“Segðu mér þat Alvíss,
– öll of rök fira
vörumk, dvergr, at vitir,
hvé sá himinn heitir
erakendi,
heimi hverjum í?”

Alvíss kvað:
“Himinn heitir með mönnum,
en hlýrnir með goðum,
kalla vindófni vanir,
uppheim jötnar,
alfar fagraræfr,
dvergar drjúpansal.”

Þórr kvað:
“Segðu mér þat Avlíss,
– öll of rök fira
vörumk, dvergr, at vitir,
hversu máni heitir,
sá er menn séa,
heimi hverjum í?”

Alvíss kvað:
“Máni heitir með mönnum,
en mylinn með goðum,
kalla hverfanda hvél helju í,
skyndi jötnar,
en skin dvergar,
kalla alfar ártala.”

Þórr kvað:
“Segðu mér þat Alvíss,
– öll of rök fira
vörumk, dvergr, at vitir,
hvé sú sól heitir,
er séa alda synir,
heimi hverjum í?”

Alvíss kvað:
“Sól heitir með mönnum,
en sunna með goðum,
kalla dvergar Dvalins leika,
eygló jötnar,
alfar fagrahvél,
alskír ása synir.”


Thórr said:
Say to me, Alvíss,
for it seems to me
there is nothing you do not know:
what is heaven called,
that all know,
in all the worlds there are?

Alvíss said:
Heaven it is called by men,
the Arch by gods,
Wind-Weaver by the Vanir,
by giants High-Earth,
by elves Fair-Roof
by dwarves the Dripping Hall.

Thórr said:
Say to me, Alvíss,
for it seems to me
there is nothing you do not know:
what is the moon called,
that men see,
in all the worlds there are?

Alvíss said:
Moon it is called by men,
the Ball by gods,
the Whirling Wheel in Hel,
the Speeder by giants,
the Bright One by dwarves,
by elves Tally-of-Years.

Thórr said:
Say to me, Alvíss,
for it seems to me
there is nothing you do not know:
what is the sun called,
that is seen by men,
in all the worlds there are?

Alvíss said:
Sól it is called by men,
Sunna by the gods,
by dwarves, Dvalinn’s toy,
by giants Everglow,
by elves Fair-Wheel,
All-Bright by the sons of gods.





Otto Sigfrid Reuter Germanische Himmelskunde, 1934 The Northern Starry Sky in Germanic Tradition

The pagan Great Midwinter Sacrifice and the ‘royal’ mounds at Old Uppsala

At the end of the 17 th century, the farmers of Uppland were still using the so-called rule of King Aun, according to which the phases of the moon in the Julian calendar fell one day earlier after 304 years. Such displacements in the eight-year cycle took place in 1692, 1388, 1084, 780, and 476. The semi-legendary king Aun is considered to have reigned about AD 450-500 and t o have been buried at Old Uppsala. The three ‘royal’ burial mounds there have been dated to AD 450-550. These mounds are oriented in such a way that they could have been used to regulate the sacrificial calendar.

The importance of the Disting and the precise definitions as to when it should take place

The original meaning of the Disting was threefold; there should be: a great sacrifice for peace and victory for the king, a general meeting with representatives from all the Swedish provinces, and a major market (Granlund 1958: cols 112-115). At the general meeting, important common political decisions were taken, such as election of a new king or solution of judicial questions that not could be solved at local courts. The participation of the representatives was compulsory, and Christian representatives who refused to come because of the human sacrifice had to pay a great fine.


The dates for the Disting were linked to the phases of the moon according to an ancient rule preserved in medieval texts. Already Tacitus had pointed out that important meetings among the Germanic peoples must take place at the new or full moon (Hutton 1970: 149 [Germania 11]). In his Historia de gentibus septentrionalibus, written in 1555 during his exile in Rome, Olaus Magnus, the last Roman Catholic archbishop in Sweden, explained that the Disting was started at the full moon because the light from the moon facilitated travel to Uppsala during the short days at midwinter (Foote 1996: 203 [Magnus 4.6]).

The exact rule for determining the starting date of the Disting was given by Olof Rudbeck (1679: 68), professor in medicine at the university of Uppsala and a scholar with broad scientific interest: The moon that shines in the sky on Twelfth Day (6/1) is the Christmas moon and after this follows the Disting’s moon. This means that the earliest date for the beginning of the Distingwas 21 January (7/1+14 days) and the latest date was 19 February (7/1+29 days). The Disting started on the day of the full moon between 21/1 and 19/2, according to the Julian calendar. The corresponding interval for the beginning of the Disting in our modern calendar is 28 January-26 February. It may seem strange that this originally heathen rule was related to Twelfth Day, or the Epiphany, as in the rule for the start of the Disting in Magnus (Foote 1996: 203 [Magnus 4.6]). The explanation is that the rule for the dates of the Disting was related to the Christian calendar in the 12th century. At that time, there was a shift by seven days between the Julian calendar and our Gregorian calendar that is closely related to the solstices and equinoxes. This fact also explains why the Swedish tradition says that the night of St. Lucia, 13 December, is the longest and darkest night of the year. If seven days are added to this date, we get the date of the winter solstice at that time. This fact indicates that the pre-historic Swedish calendar was closely related to the solstices and equinoxes and supports the results found in my earlier archaeoastronomical investigations of ancient monuments in Sweden (Henriksson 1983, 1989a and b, 1992, 1994,
1995, 1999 and 2002). SOURCE

Astronomy is perhaps the oldest science to be studied to this day. Since humans gained intelligence and the ability to think, we have made many discoveries, answered questions, and made many more discoveries, all at the same time. Today on Feed My Curiosity, we explore the Evolution of Astronomy, starting with how the Ancient Greeks and the Mayans observed it. We them look at the accomplishments and discoveries made by key figures such as Newton and Einstein, and how much rocket science and space exploration has evolved, with SpaceX and Boeing leading the way. We conclude with the future of astronomy and what we plan to do next, like sending humans to Mars, and how we understand unresolved mysteries of the universe, like its fate.

Observations in Eddic Astronomy
How Passages in the Eddas Act as
References to Constellations by Dr. Christopher E. Johnsen

The Norse Myths have a distinctive flavor all their own, but they also have many similarities to the Greek, Roman, Persian and Indian mythologies. These myths from other cultures have many well-known correspondences with the stars, whereas the Norse mythical tradition has a paucity of them, or perhaps it would be better to say that they have been intentionally hidden and the keys to deciphering these correspondences have been lost.

Astronomy, stjörnuíþrótt in Old Norse, is the science of observation of the stars – it seems that the ancients were very good at it. It is likely that the people living far North near the Arctic circle had a natural tendency to focus on observation of the stars since so many winter nights were filled with nothing but darkness and the stars above to observe, with little sunlight present around the winter solstice. 

Modern astronomy’s roots can be traced to Mesopotamia, and it descends directly from Babylonian astronomers who in turn derived their knowledge from Sumerian astronomers.  The earliest Babylonian star catalogues date from about 1200 BC and many star names are in Sumerian suggesting that the Sumerians were one of if not the first people to study the stars that have been observed in the archeological record or that they inherited an astronomical tradition from some unknown earlier culture.
 
The Sumerians developed the earliest known writing system – cuneiform – whose origin is currently dated to circa 3500 BC.  Baked clay tablets with cuneiform writing have been found that recorded detailed observations of the stars which led to the sophisticated astronomy of the Sumerian’s successors, the Babylonians. Only fragments of these cuneiform tablets detailing Babylonian astronomy have survived down through the ages. Many believe that “all subsequent varieties of scientific astronomy, in the Hellenistic world, in India, in Islam, and in the West—if not indeed all subsequent endeavour in the exact sciences—depend upon Babylonian astronomy in decisive and fundamental ways.” An argument can be made that this statement also holds true for the Norse astronomers of old and that they were continuing the ancient Sumerian/Babylonian tradition. Continue reading HERE.

Surveys the pre-Christian beliefs of the Scandinavian and Germanic peoples. Provides an introduction to this subject, giving basic outlines to the sagas and stories, and helps identify the charachter traits of not only the well known but also the lesser gods of the age.

Further Resources:

Skylore of the North

Observations in Eddic Astronomy
by Dr. Christopher E. Johnsen

Viking & Germanic People Star Lore in Viking and Germanic Mythology

Germanic Astronomy: An Attempt to Recover the Old Heathen Constellations of Northern Europe by Peter Krüger

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Medusa: The Famous Gorgon of Greek Mythology

Greek mythology has been a fascination of mine every since I was a kid. In fact my very first book regarding any mythology was about the Greek Pantheon. One figure that always stood out for me was the story of the most famous of Gorgons which is Medusa. The tale of Medusa that most know of is nothing less than tragic and a cruel display of the power of the Greek gods and goddesses that we can see in other stories. But perhaps there is another way of see what happened to Medusa as something perhaps more benevolent. Is it possible that Medusa was not cursed but turned into a Gorgon for a form of protection and vengeance? I will explore this idea later on in this post. For now let us explore the origins, life and what is known of Medusa.

The Untold Story of Medusa by Leah M Mariani

While we all know of Medusa with her crown of snakes, less is known of how Medusa became Medusa. There are two origin stories from Greek Mythology, both leading to her well-known grisly end.

The first origin story sees Medusa originally as a stunning young woman, with beautiful ringlets of hair. So alluring is her beauty, that she has many suitors. While praying at the temple of Athena, she catches the eye of the sea god Poseidon, who rapes her (or seduces her, depending on who is telling the story) in the temple. Athena, who is so enraged at her temple being defiled, takes out her revenge on poor Medusa. It has been noted that Athena, who is the goodness of war, rarely supports women. Perhaps she is the precursor to the jealous older woman so often portrayed in the European fairy tales that were to follow. To exact her revenge, Athena takes away Medusa’s most prized feature: her beautiful hair. Again, this is reminiscent of later fairy tales, specifically Rapunzel who is punished for sleeping with a prince by having her hair removed.

Athena makes Medusa unappealing to men by turning her hair into writhing snakes. It’s a classic case of victim blaming. If that isn’t enough, Athena ensures Medusa will forever remain alone by gifting her with a gaze that turns others to stone in an instant. Here we witness the creation of the original ‘death stare’, a weapon that has since been passed onto generations of women. And while over time, the death stare as become less potent and less deadly, it is by no means less scary. I know because my mother possesses such a stare that not only stops you in your tracks but also takes your breath away.

Medusa, however, did not wish to use her powers on mortals and instead retreated to a dark cave. She could not look upon a friend, or even an animal, without killing them, and so she lived a life of solitude. However, this was not to last. Even though Medusa never wanted to harm anyone, the knowledge that she had the power to do so, meant that she could never live a quiet life. Soon enough, men came in search of her and eventually, Perseus, the son of Zeus, finds her and cuts off her head while she sleeps.

The alternate origin story sees Medusa begin life as a Gorgon monster, borne of two sea monsters, and one of three daughters. As a Gorgon monster, Medusa is terrible and fierce and is much less sympathetic than her alter-ego, once-human-form. But what this version lacks in beauty, she makes up for in companionship, because in this version Medusa lives with her two sisters. These Gorgons are described as having snakes on their heads, wings on their back and large mouths with lolling tongues. Whether the sisters were immune to Medusa death stare, (perhaps possessing the same powers themselves) or they were protected by the darkness of the cave, we do not know. We do know her sisters, Stehnno and Euryale, mourned her death. They gave chase to Perseus after he murdered Medusa, and he escaped their clutches thanks only to Athena’s help (she definitely had a thing against Medusa). Upon Perseus’ escape, the sisters release a loud, mournful howl, which is chilling to the bone. Continue reading HERE.

Central panel of a mosaic floor with the head of Medusa, 1st – 2nd century CE. National Museum of Rome, Baths of Diocletian, Rome. SOURCE

Medusa

By Louise Bogan

I had come to the house, in a cave of trees,

Facing a sheer sky.

Everything moved,—a bell hung ready to strike,

Sun and reflection wheeled by.

When the bare eyes were before me

And the hissing hair,

Held up at a window, seen through a door.

The stiff bald eyes, the serpents on the forehead

Formed in the air.

This is a dead scene forever now.

Nothing will ever stir.

The end will never brighten it more than this,

Nor the rain blur.

The water will always fall, and will not fall,

And the tipped bell make no sound.

The grass will always be growing for hay

Deep on the ground.

And I shall stand here like a shadow

Under the great balanced day,

My eyes on the yellow dust, that was lifting in the wind,

And does not drift away.

Early Life of Medusa

Both Aeschylus and Hesiod mention Medusa in some of their early stories. They claim that she spent most of her life in Sarpedon, which was close to Cisthene with her Gorgon sisters and also died there. Hesiod used her in Theogony. Dionysios Skytobrachion wrote about her during the second century and claimed that she both lived and died in an area of Libya. Herodotus found some evidence that she appeared in Berber mythology where she was a major part of their religion.

Legend says that Medusa was one of three children born to Phorcys. Also known as Phorkys, he lay with his sister Ceto. The two had three daughters, including Euryale and Stheno. Though both were marine deities, their children were chthonic monsters. They also had another group of sisters called the Graeae who appeared in Prometheus Bound written by Aeschylus. He claimed that both groups of sisters were monsters. SOURCE

The Complete World of Greek Mythology by Richard Buxton A full, authoritative, and wholly engaging account of these endlessly fascinating tales and of the ancient society in which they were created.
Greek myths are among the most complex and influential stories ever told. From the first millennium BC until today, the myths have been repeated in an inexhaustible series of variations and reinterpretations. They can be found in the latest movies and television shows and in software for interactive computer games. This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed―their themes, their relevance to Greek religion and society, and their relationship to the landscape.

Medusa’s Sisters and Birth

Medusa – whose name probably comes from the Ancient Greek word for “guardian” – was one of the three Gorgons, daughters of the sea gods Phorcys and Ceto, and sisters of the Graeae, Echidna, and Ladon. All of Medusa’s siblings were monsters by birth and, even though she was not, she had the misfortune of being turned into the most hideous of them all.

From then on, similarly to Euryale and Stheno, her older Gorgon sisters, Medusa was depicted with bronze hands and wings of gold. Poets claimed that she had a great boar-like tusk and tongue lolling between her fanged teeth. Writhing snakes were entwining her head in place of hair. Her face was so hideous and her gaze so piercing that the mere sight of her was sufficient to turn a man to stone. SOURCE

Descriptions of Medusa

The traditional description of Medusa and her sisters were of winged women, with large heads; large head that held large staring eyes, and the tusks of swine. Additionally, the Gorgons were also said to have had hands made of brass.

The most striking feature of Medusa and her sisters would be the hair upon their heads, for each lock was made up of a hissing snake.

Medusa was not considered the most deadly of the three Gorgons though, for this accolade was given to Sthenno, who it was said had killed more people than Medusa and Euryale combined.

The home of Medusa and her sisters was a closely guarded secret, a secret kept by the Graeae, but Hesiod suggested that the Gorgons lived upon an island close to the Island of the Hesperides at the western extremes of the known world, although later writers also claimed Medusa and hers sisters were to be found in Libya. SOURCE

Perseus slaying Medusa, detail from an olpe attributed to the Amasis painter, 550-530 BCE, British Museum, London SOURCE
Today we once again take a look at Medusa in the hope of finally creating a video that discusses all the various changes her myth has undergone over the years.

A Theory Of Her Benevolence and Different Opinion

I have discussed this theory regarding Medusa and what she symbolizes with friends and there are others out in the world who agree with this idea so allow me to explain. We all know the description of Medusa being this horrific looking scaly-skinned Gorgon with snakes for hair who turns anyone who gazes upon her into stone and that this was done by Athena for “desecrating” her temple due to her being raped by Poseidon. Athena was seen as being a very jealous and vengeful goddess when it came to human women having sexual relationships with her fellow Olympians. So as a punishment, Athena turns her into this hideous Gorgon to live out eternity both in isolation and sorrow.

But what if there is a different way to look at this? Here me out because this one may seem off to some readers. What if Athena had Medusa become a Gorgon but not as what has been interpreted through the centuries. We can see throughout history her appearances in ancient Greece and during the early part of the Roman Empire changed. So is it fair to theorize that perhaps there was actually a benevolent version for Medusa?

Medusa, said to possibly be a Priestess of the Temple of Athena, was indeed raped by Poseidon which is known. But instead of Athena pouring her vengeful rage upon this poor woman, perhaps she had a different intention. Think about the fact that Medusa later in ancient Greece and Rome we find her face on pottery, floor mosaics and other art as a symbol protection, to ward of malevolence and even a symbol of Femininity. Maybe, just maybe Athena gave Medusa this power of wielding her eyes as this vengeful weapon upon those who gazed at her with malevolent sexual desires. A message to others who may look upon women as merely an object for their deviant intentions. Perhaps Medusa kept her goddess-like beauty and the serpents upon her head are just a symbol of something greater. I personally look at Medusa as a champion for women who have suffered sexual abuse and rape. I see Medusa as this powerful goddess-like figure who is a symbol of empowerment, feminine strength and a powerful statement to any man who wishes to do that sort of harm must pay the most extreme of consequences.

Sure we can read the tales and easily look upon Medusa as this hideous, malevolent, cavern-dwelling Gorgon who only wishes to collect stone bodies in her lair of rot and rage. But I prefer seeing the benevolent version of Medusa and use her tale as a powerful one to perhaps aid in giving any woman who needs it the boost of positivity out from something so horrific.

Further Resources

The epic tragedy of Medusa, the most infamous female fiend in Greek mythology, whose look turned every living thing to stone. But what is the true story behind the myth?

The Ancient Gorgon Medusa: 9 Terrifying Facts

Medusa in Ancient Greek Art

The Curse of Medusa in Greek Mythology




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Owls: Myth, Folklore and More

Today’s animal blog post on the folklore, mythology and symbolism plus more will be covering the Owl. With approximately 250 species of Owls around the world it is expected that these predators of the night would absolutely become embedded in culture, folklore and even associated with Deities which indeed is the case. Owls to me are very fascinating both with their important roles in nature and how they have had an effect in humans. So today let us dive into the world of Owls and their significance in the myths, folklore and more.

Introduction

Owls in Mythology & Culture By Deane Lewis

Throughout history and across many cultures, people have regarded Owls with fascination and awe. Few other creatures have so many different and contradictory beliefs about them. Owls have been both feared and venerated, despised and admired, considered wise and foolish, and associated with witchcraft and medicine, the weather, birth and death. Speculation about Owls began in earliest folklore, too long ago to date, but passed down by word of mouth over generations.

In early Indian folklore, Owls represent wisdom and helpfulness, and have powers of prophecy. This theme recurs in Aesop’s fables and in Greek myths and beliefs. By the Middle Ages in Europe, the Owl had become the associate of witches and the inhabitant of dark, lonely and profane places, a foolish but feared spectre. An Owl’s appearance at night, when people are helpless and blind, linked them with the unknown, its eerie call filled people with foreboding and apprehension: a death was imminent or some evil was at hand. During the eighteenth century the zoological aspects of Owls were detailed through close observation, reducing the mystery surrounding these birds. With superstitions dying out in the twentieth century – in the West at least – the Owl has returned to its position as a symbol of wisdom. Continue reading HERE.

OWL MYTHS AND LEGENDS by Shani Freidman

Owls and humans are connected from the dawn of history. The nighttime activity, large eyes, acute vision, and “wisdom” of owls were known by the ancients. Dating from a Sumerian tablet (2300 to 2000 BC), Lilith, the goddess of death, has talons for feet, wears a headdress of horns, and is flanked by owls. She is probably the inspiration for Athena, the Greek goddess of wisdom and warfare. The rock crevices of Athens and the Acropolis were filled with small owls, believed to be the embodiment of Athena. When the Athenians won the battle of Marathon from the Persians in 490 BC, the warrior goddess Athena assumed the shape of an owl and led them from above.

The Romans, who appropriated many of the Greek beliefs, associated owls with Minerva, the goddess of prophesy and wisdom. Minerva’s role was similar to Athena’s. The prophetic qualities of owls were known. Virgil writes that the hoot of an owl foretold the death of Dido. Pliny reports great confusion and fear in the Forum when an owl entered. Horace associates owls with witchcraft. Romans used representations of owls to combat the evil eye. Owl feathers and internal organs were found in magical potions and pharmaceutical remedies. For example, the ashes of an owl’s feet were an antidote to snakebite, and an owl’s heart placed on the breast of a sleeping woman forced her to tell all her secrets. Continue reading HERE.

Silver tetradrachm coin at the Museum of Fine Arts of Lyon depicting the owl of Athena (circa 480–420 BC). The inscription “ΑΘΕ” is an abbreviation of ΑΘΗΝΑΙΩΝ, which may be translated as “of the Athenians”. In daily use the Athenian drachmas were called glaukes (γλαῦκες, owls). This silver coin was first issued in 479 BC in Athens after the Persians were defeated by the Greeks.

6 Myths and Superstitions About Owls

  1. Owls are famous for their exceptional eyesight and it was thought that you could gain better eyesight by ingesting parts of them. In England, the method was to cook owl eggs until they were ash, then incorporate them into a potion. Folklore from India had a more direct method: just eat owl eyes.
  2. Owls are a sign of death in many cultures, including some Native American tribes. For instance, dreaming of an owl signified approaching death for Apache people. Boreal owl calls were a call from spirits to the Cree people, and if you answered back to the owl with a whistle and didn’t get a response, it was a sign that your death was imminent. On the other hand, Dakota Hidatsa people believed that burrowing owls acted as protective spirits for warriors.
  3. For some cultures, the owl was sacred. Among Australian Aborigines, owls are the spirits of women and so are sacred. The Kwakiutl people also thought owls were the souls of people and shouldn’t be harmed because, if the owl was killed, the person whose soul the owl carried would also die. In fact, many different cultures believed that a person became an owl after death.
  4. Owls are often viewed as a symbol of wisdom. The “wise old owl” character comes from an old English nursery rhyme, which suggests that listening more than talking is a valuable character trait that we would all benefit from developing. As such, the owl has become a sign of learning and mental change. Many people believe that seeing an owl is a profoundly good thing, as it indicates the start of a new phase in life.
  5. Owls are, of course, associated with witchcraft—particularly white ones, which are the most elusive. Greeks and Romans believed witches could turn themselves into owls, and in this form would come to suck the blood of babies. In other cultures, owls were simply the messengers of witches, or hooted to warn of the approach of a witch. Unfortunately this led to many owls being hunted and killed in the Middle Ages.
  6. Though the owl’s nocturnal activity was at the root of many superstitions, the amazing ability of an owl to rotate its neck to extraordinary degrees was even turned into a myth. In England it was believed that if you walked around a tree that an owl was perched in, it would follow you with its eyes, around and around until it wrung its own neck. SOURCE

“You don’t need anything but hope. The kind of hope that flies on silent wings under a shining owl moon.”

-Jane Yolen
Perhaps no other creature has so compelling a gaze as the owl. Its unblinking stare mesmerizes; its nocturnal lifestyle suggests secrets and mystery. This lavishly illustrated book celebrates owls from every corner of the world and offers abundant details on fifty-three of the most striking and interesting species, from the tiny Elf Owl of southwestern American deserts to the formidable Blakiston’s Fish Owl, the largest of all owls.
 Mike Unwin has long studied and admired these remarkable birds from cold northern forests to tropical rivers and beyond. He explains how owls evolved into the supreme feathered predators of the night, and he examines their breeding and hunting behaviors, unusual calls, and the cultural myths and superstitions that surround different species. More than two hundred dramatic color photographs in the wild, taken or selected by David Tipling, capture the wondrous beauty of each owl and the drama of life in its own home region. 

The Owl as a Spirit Guide

When you seek out Owl, it is a way of reaching your Higher Self and truly seeing things from a spiritual perspective; This refreshing vantage point allows you to open doorways into other realms and connect with the Devas, Ancestors, Angels, and the Divine.

Owl has a strong connection with the element of air. Travel with Owl Spirit to the heavens and soar through the halls of the Akashic records. Owl will show you things that might otherwise remain hidden to you, so be open to seeing things in a whole new way.

You cannot deceive Owl, which is why this Spirit Animal reminds us to remain true to ourselves, our voice, and our vision. Owl does not tolerate illusion or secrets. If there are skeletons in the closet, you can trust that Owl will find them and start house cleaning.

It is no surprise that the Goddess Athena held Owls as sacred. Athena is beyond doubt, one of the most complex Deities in history, and Her attributes included wisdom and strategy – so Owl Spirit became the perfect companion. In Greek tradition, Owl was also a protector. It was believed that an Owl flying over a soldier or army portended victory because Owl would remain watchful.

As a creature of the night, the Celts and Egyptians regarded Owl as a gatekeeper to other realms, particularly the souls of the dead. In some stories, this bird actually accompanies a soul, so it doesn’t get lost on its journey.

In Native American tradition, Owl represents sacred knowledge (you’ll get to know me, I live for puns). When you begin studying the mysteries, this Spirit Animal Guide is an amazing helpmate and mentor.

Overall, Owl is a symbol of being able to navigate any darkness in our life; this Spirit brings clarity, prophetic inklings, and a strong connection with the mystical world. SOURCE

“Owls are known as lonely birds, but it is not known that they have the forest as their best friend!”

– Mehmet Murat Ildan
This petroglyph, the ‘Spedis Owl‘ was salvaged from along the Columbia River just before The Dalles Dam flooded the area in 1956. This carving is on display at Horsethief Lake State Park, Washington. Photo © Ralph Turner.

Symbolism

Perception, Silent Observation, Wisdom, Deception

The Owl has a dual symbolism of wisdom and darkness, the latter meaning evil and death. They are symbolically associated with clairvoyance, astral projection and magick, and is oftentimes the medicine of sorcerers and witches, you are drawn to magickal practices. Those who have owl medicine will find that these night birds will tend to collect around you, even in daytime, because they recognise a kinship with you.

The two main symbolic characteristics of the Owl, its wisdom and its nocturnal activity– have made it represent perception. Considering perception in a spiritual context, Owl medicine is related to psychism, occult matters, instincts, and clairvoyance– the true ability to see what is happening around you.

The owl can see that which others cannot, which is the essence of true wisdom. Where others are deceived, Owl sees and knows what is there.

Use your power of keen, silent observation to intuit some life situation, Owl is befriending you and aiding you in seeing the whole truth. The Owl also brings its messages in the night through dreams or meditation. Pay attention to the signals and omens. The truth always brings further enlightenment.

The Owl, symbol of the Goddess, represents perfect wisdom. Owls have the ability to see in the dark and fly noiselessly through the skies. They bring messages through dreams. The Owl is the bird of mystical wisdom and ancient knowledge of the powers of the moon. With wide-open, all-seeing eyes, Owl looks upon reality without distortion and acknowledges it, yet is aware that with ancient magickal and spiritual knowledge, he or she can make changes. SOURCE

This video will discuss about 20 mysterious facts about Owls. As recognized as owls may be, most people don’t actually know a whole ton about them. But the truth is, these birds are incredibly complex creatures with a catalogue of surprising facts.

What Sees the Owl by Elizabeth Sears Bates

His velvet wing sweeps through the night:
With magic of his wondrous sight
He oversees his vast domain,
And king supreme of night doth reign.

Around him lies a silent world,
The day with all its noise is furled;
When every shadow seems a moon,
And every light a sun at noon.

How welcome from the blinding glare
Is the cool grayness of the air!
How sweet the power to reign, a king,
When day his banishment will bring!

For him the colorless moonlight
Burns brilliant, an aurora bright;
The forest’s deepest gloom stands clear
From mystery and helpless fear.

He sees the silver cobwebs spun,
The dewdrops set the flowers have won,
The firefly’s gleam offends his sight,
It seems a spark of fierce sunlight.

Clear winter nights when he so bold,
“For all his feathers, is a-cold,”
Sees the Frost-spirit fling his lace,
And fashion icicles apace.

At his weird call afar and faint
A sleepy echo, like the quaint
Last notes of some wild chant, replies
And mocks his solitude—and dies.

Owls of the World, second edition, is the ultimate photographic resource dedicated to the identification of these charismatic birds of prey. It is packed with spectacular photography of 268 species of owls from all over the world, including extinct species. Many of the images are of highly elusive species very rarely caught on camera.
The vast majority of the roughly 200 species of owls are so-called true owls which possess large heads with round faces short tails and muted feathers with mottled patterns. The remainder accounting for a little over a dozen species are barn owls which can be distinguished by their heart-shaped faces long legs equipped with powerful talons and moderate size. With the exception of the common barn owl—which has a worldwide distribution—the most familiar owls at least to residents of North America and Eurasia are the true owls.
Evolution has an efficient way of relegating animals to particular niches: because other carnivorous birds (like hawks and eagles) hunt during the day most owls have adapted to hunting at night. The dark coloration of owls makes them nearly invisible to their prey—which consists of insects small mammals and other birds—and their wings are structured so as to beat in almost complete silence. These adaptations combined with their enormous eyes makes owls some of the most efficient night hunters on the planet wolves and coyotes not excluded.
One of the most remarkable things about owls is the way they move their entire heads when looking at something rather than simply moving their eyes in their sockets like most other vertebrate animals. The reason for this is that owls need large forward-facing eyes to gather in scarce light during their nocturnal hunts and evolution couldn’t spare the musculature to allow these eyes to rotate. Instead owls have astonishingly flexible necks that allow them to turn their heads three-quarters of a circle or 270 degrees—compared to about 90 degrees for the average human being!

Further Resources

Top Ten Owls In Literature and Mythology

Owls Mythology & Folklore

Owl Names in Mythology – Nocturnal Birds Of Prey In The Mystic Realms

World Owl Mythology

Native American Owl Mythology

Owl Folklore

Owls in Norse mythology: The history of the Nordic owl