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Myrkrúnar: The Dark Runes

In my personal practice of divination and spiritual magick I have studied all the variants of Runes for many years even going beyond the Elder Futhark such as the Svartrúnar, Venedské Písmo (Vendic/Slavic Runes), Dvergadylgjur and more. I find them extremely fascinating and am always drawn to learn more in order to evolve myself regarding them and my personal practice. Years ago I came across an amazing book which I simply had to get and fortunately was able to even though all editions of it are out of print. The book is called Myrkþursablót: Nightside of The Old Norse Mythology by Niðafjöll & Wilthijaz Yggr. Within the amazing contents of this book are the Myrkrúnar (The Dark Runes). The simplest way I can describe these Runes are that they are the yin to the yang of the Elder Futhark. In other words the “Left hand path” of Runic divination and could be considered a part of the “Dark” Runes of divination such as the Svartrúnar, Tröllaletur, Úlfurrúnar and a few others I study and use. Today’s blog post I will cover in detail the Myrkrúnar in hopes to give those interested a better understanding of them.

Before I begin I want to add this note. I understand that there are PDF copies of this book in its three editions available free to download online but I will not be including said links on this post. However if you wish on your own time to search for them then by all means have at it.

This is my personal copy of the Myrkþursablót Second Edition I fortunately was able to acquire years ago.

Directly from the Myrkþursablót

When it comes to runic magic and meditation, the Uþark row as coined by philologist Sigurd Agrell is the main system used within Myrkþursablót. The Uþark row represents death through primordial darkness (Uruz) and the glorious reward of spiritual rebirth (Fehu). The Uþark row is seen as a journey from dark to light as you travel from each rune to reach the end of the row. After great extensive study, meditation and ritual, the Uþark row grants its wisdom to those
who are willing to begin walking its path and learn its secrets for it is a dark and misty dirt road into unknown wilderness which offers no guide.

For more information on the rune system, one would be wise to read the volumes Die spätantike Alphabet-Mystik und die Runenreihe (“The Alphabet- Mysticism of Late Antiquity and the Sequence of the Runes”) by Sigurd Angrell, or Uthark: Nightside of the Runes by Thomas Karlsson.


The following is my personal understanding of the Uþark row, within the
Myrkþursablót tradition as used from the basis of the Elder Fuþark.

Myrkþursablót

Uruz // The rune of Ginnungagap. Represents the birth of creation and the
original state of being. Symbolizes the womb of which all is born. The beginning
of the cycle and the start of one’s journey

Thurisaz // The rune of the Þurs. Represents the marriage between fire and
ice. The Thorn that bites. Symbolizes the two realms before creation, Múspellsheimr
and Niflheimr. The rune of the two primal elemental forces. The antithesis
of Ansuz, the rune of untamed chaos.

Ansuz // The rune of the Æsir. Represents the divine energy of natural balance
within existence. Wisdom and Initiation. The ascent into the practitioner’s spirit-
being. As mentioned by Thomas Karlsson in the book “Uthark – Nightside
of the Runes” Ansuz is the third rune of the Uþark row. Three is the divine number,
making Ansuz the most prominent rune within the row.

Raido // The rune of order. Represents the sun-wheel (sauvastika). The journey.
Pursuit of self mastery. Symbolizes the traveler and the route of progression in
ones life. The wheels of universal movement.

Kenaz // The rune of Loki. The fire rune, or the torch rune. Represents the spiritual
fire within. Also represents Jörmungandr. The immense energy of the sun.
Belongs to Múspellsheimr. Symbolizes both the scoring fires, the luminous eternal
light, but also burning destruction.

Gebo // The rune of sacrifice. Represents the aspects of oneself that must be
destroyed to achieve enlightenment. Symbolizes the exchange of life between
man and the gods. A divine gift.

Wunjo // The rune of happiness. Represents the energy of life and divine essence
of nature. Symbolizes good fortune and luck. The granting of boons.

Hagalaz // The rune of Hel. Represents death and the hidden path; the initiation
into the runes. The battering storm. Trials and tribulations. Belongs to Niflheimr.
Hagal is the mother rune. The cold bite of storms.

Nauðiz // The rune of secrets. Represents the descent into the hidden path of
the runes. The crossing of paths. The forge on which all is tempered or broken.
Symbolizes the Norns who spin the threads of destiny for all mankind.

Isa // The rune of Ice. Represents Gullveig and the primordial cold. Symbolizes
meditation/trance, focus and concentration. The rune of hibernation, and the
cooling of the senses. The still waters are clearest. Belongs to Niflheimr.

Jera // The rune of nature. Represents the cycle of the seasons and the rebirth
of oneself. Cycles within cycles. The ages, Yugas and the eternal turn of the
wheel. Symbolizes the year span. It is connected to the harvest.

Perþro // The rune of Mímisbrunnr. Represents the underworld and the womb
of death. Initiation and rebirth through sacrifice.

Eihwaz // The rune of Fenrisúlfr. Represents the wild hunt and the untamed
holy fire of the wolf spirit. The transformation into the feral self. Corresponds
to the yew tree, and symbolizes the world tree Yggdrasill.

Algiz // The rune of life. When inverted represents death and the dark powers.
Polarity. Creation and un-creation. Life and Death. Being and Unbeing. Symbolizes
the Elk for its upper lines correspond to the Elk’s antlers. It represents protection.

Sowilo // The rune of the Sun/Surtr. Sowilo is the purest of light and the most
power of radiant energy. Can be seen as Baldr’s rune. Also represents the destruction
of the world and the fire-sword Lævateinn. Symbolizes the most powerful
aspects of the sun. Belongs to Múspellsheimr.

Tiwaz // The rune of victory. Represents the courage to achieve wisdom within
oneself to overthrow fear. The blood spilled in bravery. Belongs to the war god
Tyr. Symbolizes courage and justice as well as self-sacrifice. Seen as the masculine,
phallic rune of man.

Berkano // The rune of birth. Represents seiðr and the balancing point of life
and death. Erotic magick. The beginning of new things. Symbolizes fertility and
witchcraft. Seen as the rune of birth and as the feminine womb of woman.

Ehwaz // The rune of Sleipnir/Heldrasill. The rune of the horse. Represents
the journey into darkness to seek the hidden wisdom. This rune symbolizes the
cooperation between man and animal, as the Horse is the magical animal in
Nordic tradition.

Mannaz // The rune of Man, the rune of self. Represents one’s being and the
realization of one’s power. Symbolizes the bond between man and woman, for
the rune can be seen as two people holding each other.

Laguz // The rune of Élivágar. Represents the waters of Niflheimr. Also represents
Jörmungandr. Dark, lunar force. Shakti and the willful side of the feminine.
The devouring face of mother earth. Symbolizes blood and menstruation. Connected
to dreams of the moon. Belongs to Niflheimr.

Ingwaz // The rune of fertility. Represents the proto-cosmic womb and the beginning
of time. Axis of opposites. Symbolizes the masculine seed of man, or
the feminine womb of woman. The rune of potential.

Oþala // The rune of Óðinn. Represents the dark aspect of oneself in order to
ascend into light. Sacrifice for initiation. The opening of the eye of
Óðinn/Shiva/Lucifer. Symbolizes the act of inheritance and the rune of one’s
clan/family. Is seen as the rune of historical value of ancestry.

Dagaz // The rune of Day and awakening. Represents the illumination of one’s
inner fire. Symbolizes the clarity and the cycle of time. Dagaz corresponds to
the beginning of all that is new. It is the highest point of the year and symbolizes
the Summer Solstice.

Fehu // The rune of completion. Symbolizes the wealth and reap of rewards of
one’s adventures. Represents the spiritual wealth of one’s journey to obtain the
hidden wisdom. The return and departure. Universe B. The ending of the journey
and the end of the cycle.

As you have seen with these Runes there are absolute differences in their meanings when comparing them to the Elder Futhark and should not be taken lightly when working with. I have seen the Myrkrúnar misused quite a few times so this is partly why I felt doing this blog post is important for giving proper education regarding them. As I said in the beginning of this post all three editions of Myrkþursablót: Nightside of The Old Norse Mythology are out of print but on occasion you can find a copy for sale like HERE.

Also I highly recommend listening to this two part series regarding the book and one of its authors.

On this episode of Strange Dominions, Octavion talks with author and musician Niðafjöll about his book Myrkþursablót: Nightside of the Old Norse Mythology. The two talk paganism, occultism, spirituality, music and even the paranormal.

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The Kalevala – The Epic Finnish Saga

The Kalevala is truly a gem of Finnish culture, folklore and literature which is one I have been fascinated with for years. It is also perhaps the most famous and republished piece of literature to come out of Finland. The Kalevala is a collection of tales from the creation of the world, stories of Finnish gods and goddesses as well as other figures of the folklore of Finland. I wanted to contribute by sharing this utterly amazing Finnish literature with my readers and explore deeper into its importance and tales. I hope you enjoy it as much as I do.

The first edition of the Kalevala came out in 1835. Elias Lönnrot compiled it from folk poetry recorded into notebooks during his collection trips among poetry singers in 1828–1834. At the time of publication of the Kalevala, Finland was an autonomous grand duchy, and before that, until 1809, Finland was part of the Swedish Kingdom. Especially for Finnish intellectuals, the Kalevala became a symbol of the Finnish past, the Finnish language and Finnish culture, a foundation on which they started to build the fragile Finnish identity. It also aroused much interest abroad, and brought a small, unknown people to the awareness of other Europeans.

The effect of the Kalevala on Finnish culture, arts and sciences has been significant. It has left its mark on the fine arts, literature, theater, dance and music. It lives on in popular culture, films, comics, games and commercials. During different periods, the Kalevala has been significant in different ways, and has given birth to different, strong interpretations. SOURCE (Finnish)

This is my personal copy I have in my library which is beautifully done with fantastic illustrations. Highly recommended.

Not so long ago, in the tiny, isolated villages of Finland, where prolonged summer days gave way to endless winter nights, people would pass the time by singing the many adventures of their favorite heroes: the mighty, magical men and women of ancient days.

They sang of old Vainamoinen, greatest of sages and magicians, who helped create the world but never could find a woman to wed him.

They sang of his friend and ally Ilmarinen, first among craftsmen, the blacksmith who forged the dome of the heavens.

They sang of Louhi, the ancient lady of Northland, whose crafty wit and magical powers made her a worthy opponent for Vainamoinen himself.

And they sang of Aila, Louhi’s lovely daughter, who captured the hopes of the two old friends and drew them as rivals to the shores of Northland.

And while these songs could still be heard, there came along a doctor, a scholar, who gathered and wove them together in a book he called the Kalevala. And so he created for Finns a national epic, and for the rest of the world, a work of wonder.

The songs endure, the heroes live. . . .

– from The Songs of Power: A Northern Tale of magic. Retold by Aaron Shepherd from the Kalevala

Further Resources

Full text of “The Kalevala : the epic poem of Finland”

The Kalevala – The Beginning of Beer in the Finnish Epic Saga

Tolkien and the Kalevala

Kalevala is Finland’s national epic. Compiled by Elias Lönnrot in the 1800s, it consists of epic poems of creation, magic, lust, vengeance and death. A story of the sons of Kaleva, the forefather of Finns, it takes the reader to a mythical ancient land filled with monsters and magic, and even to the realm of the dead. Be sure to check more from Antti Palosaari.
Veera Voima is a Finnish folk singer who specializes in rune singing. Her project “Myths of Making” is based on the birth myths of Kalevala. This is a short version of her song “Raudan Synty” (The Origin of Iron).
The Kalevala: the Epic Poem of Finland (Crawford Translation) by Elias LÖNNROT (1802 – 1884), translated by John Martin CRAWFORD (1845 – 1916) Genre(s): Poetry, Sagas Part 2 and Part 3
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Encyclopedia of Norse and Germanic Folklore

It has been a while since I posted a book recommendation so here we go with this true literature gem. Encyclopedia of Norse and Germanic Folklore, Mythology and Magic by Claude Lecouteux is a book filled with such great details and images it is one I refer to often as a great resource. Not only does this encyclopedia give brief yet detailed descriptions of every know God and Goddess of the Norse and Germanic pantheons but also of places, creatures and other things from the Böxenwolf, the Werewolves of Northern Germany, to the Goddess Sinthgunt, Goddess of the Cosmos and time, plus so much more. This brilliant book is one I highly recommend for the personal library of anyone who has interest in this subject.

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The Saga of Gunnlaug Worm-Tongue

The Saga of Gunnlaug Serpent-Tongue is the story of a promising young man named Gunnlaug who achieves fame for his bravery and poetry in the courts of kings and earls throughout the Norse world.

The story tells of poems praising kings and earls in verses received as gifts, in a culture where gift giving was a well established and important means of settling disputes, showing respect, and gaining favor and honor. However, a prophetic dream foretells the love rivalry and betrayal between Gunnlaugr Ormstunga, Hrafn Önundarson, and Helga the Fair, ending in tragedy.

The Gunnlaug saga belongs to the category of Icelandic sagas, which there are about 40, written in the 13th and 14th centuries, but disclose events that happened a long time before. Some of them even tell about a Viking settlement in the late 9th century, but also of places in the second half of the 10th century and all the way to the first part of the 11th. In Gunnlaug’s history , events occur near the 1000s, which are related to Christianity. The story is written in the latter part of the 13th century. Nothing is known about the author, but that he is a learned man who has known for many characters; perhaps he was in a priesthood.

Gunnlaug’s story is not preserved in original, but other Icelandic sagas, but two handwritten manuscripts exist, another from the 14th and the other from the 15th century. A younger paper handwriting has been run from these skins.

“A tale from Iceland, 800 years ago.

In a dream of quarrels and death

The birth of fair Helga is told

Cross the north seas ventured for fame

At the call of kings, hearth bereft

Wounded pride, spawn’d of a sensed slight

When tongues fail, sharper blades prevail

Falcon soothes the cloak wrapt wound

Fair one pines and fades from the light.” – Summary by Fritz

The Saga of Gunnlaug the Worm-Tongue and Rafn the Skald

The Story of Gunnlaug Serpent-Tongue pdf

Gunnlaug Saga (Icelandic)

The Saga of Gunnlaug the Worm-Tongue

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Viking Age Iceland

Two subjects in my list of things I am fascinated with is the Viking Age and Iceland. So when you have both featured as a book I must tell you its an amazing thing to read. Viking Age Iceland by Jesse Byock goes into such amazing details of what life, society and more was like in Iceland during the Viking Age and the author has the credentials for writing on this topic as well. He is a Professor of Old Norse and Medieval Scandinavian Studies at the University of California(UCLA) and Professor at UCLA’s Cotsen Institute of Archaeology as well as directs the Mosfell Archaeological Project in Iceland.

The Vikings in Iceland

A Viking Age Valley in Iceland

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Norse Magic: A Great Beginner’s Book

Norse Magic by D.J. Conway in my opinion is a great little book for not only beginners in practicing Norse magick but even for those who have been for years as a book of reference and review. It is one I keep in my library I refer to others quite often.

Norse Magic is an informative guide for both beginners and intermediates in the field of Norse magic. Even for those who simply have an interest in Norse culture, folklore as well as history and a book I highly recommend.

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Runes and Weland the Smith

These two little books by Ben Waggoner are two little gems I highly recommend for your library.

A Pocket Guide to Runes is a great little resource and guide regarding the Elder Futhark Runes regarding each one’s meaning and use.

Weland the Smith tells about Weland also known as Volundr, Wieland and Wayland. His name lives on as the name of the most masterful craftsman ever known. Captured and crippled, forced to make treasures for a cruel king, he plots not only how to regain his freedom, but how to take a terrible vengeance. His legend was told for centuries in England, Germany, and Scandinavia. Here you will find the major sources for Weland’s legend, translated from Old Norse and Old English.

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The Prose Edda

The Prose Edda is absolutely one of the most important books regarding Norse Paganism and the Gods and Goddesses of the Norse. Whenever someone new to the Norse faith comes to me and asks for reading material this is one I always recommend as I feel it is essential to have in your library of Norse religion studies. Some do seem to get overly and in my opinion ignorantly negative regarding The Prose Edda simply because of its author Snorri Sturluson (1179-1241) who was born in western Iceland and it can be seen that yes there is some perhaps christian influence in the Edda however he really did have a deep fascination with the old tales, folklore and stories of the Gods. So I feel it is important to read this book with an open mind but at the same time we should never consider it like a bible of the Norse religion because there are so many other books that expand upon where the Prose Edda began. So with that said I do encourage everyone to have this in their library not just as a foundation of Norse Paganism but it is an iconic book that has lasted the test of time.

Check out the great resources below

The Prose Edda Book

The Prose and Poetic Eddas, Völuspá

The Prose Edda on Sacred Texts

https://www.youtube.com/watch?v=AjsSabQlir4
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The Völsunga Saga

Certainly one of the if not the most important and famous of all the Norse Sagas is indeed the Völsunga Saga (Volsunga Saga or Volsungasaga). This is a saga that I feel everyone who is spiritually invested or are devoted to the beliefs of Norse Paganism should have included in their library. The tales in it are extremely fascinating, well written and truly paint visual image of such Gods as Odin and Loki as well as the deeds of man such as Sigurd the dragon Slayer. This saga is comprised of 44 stories and each just as good as the next.

Based on Viking Age poems and composed in thirteenth-century Iceland, The Saga of the Volsungs combines mythology, legend, and sheer human drama in telling of the heroic deeds of Sigurd the dragon slayer, who acquires runic knowledge from one of Odin’s Valkyries. Yet the saga is set in a very human world, incorporating oral memories of the fourth and fifth centuries, when Attila the Hun and other warriors fought on the northern frontiers of the Roman empire. Get your copy here

My personal copy of the Völsunga Saga

Further resources

http://www.voluspa.org/volsungsaga.htm

https://www.timelessmyths.com/norse/volsunga.html

https://sites.pitt.edu/~dash/volsungsaga.html

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Ibn Fadlan and the Land of Darkness

Ibn Fadlan and the Land of Darkness is a book that certainly gives an outside perspective during the late Viking Age and post Viking Age I feel is excellent to read about. This book was even the inspiration for Michael Crichton’s 1976 novel Eaters of the Dead and the film The 13th Warrior.

Between the ninth and fourteenth centuries, Arab explorers journeyed widely and frequently into the far north, crossing territories that now include Russia, Uzbekistan, and Kazakhstan. Ibn Fadlan’s chronicles of his travels are one of the most important documents from the period, and this illuminating new translation offers insight into the world of the Arab geographers and the medieval lands of the far north. Based on an expedition to the upper Volga River in 922 AD, Ibn Fadlan and the Land of Darkness provides a rare and valuable glimpse of Viking customs, dress, table manners, religion, and sexual practices, including the only eyewitness account ever written of a Viking ship cremation.