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The Elves of the Yggdrasil

When most discuss or think of the Elves of Norse Mythology they usually think of a certain kind of Tolkien in appearance and even refer to them as the Dark and Light Elves. But I want to go deeper into these Elves and to educate my readers on how much more expansive they are within the Yggdrasil. So in this Blog post I plan to cover the Svartálfar (“Black Elves), Dökkálfar (“Dark Elves), Ljösalfar (“Light Elves) and the Hvítálfar (“Shining Elves).

The Dökkálfar are referenced in a few places in Norse mythology. The name itself means ‘dark elves’ and Snorri describes them as living in the earth. Grimm calls them ‘Genii obscuri’ or spirits of the dark and suggests a connection between them and nâir, spirits of the dead, even going so far as to place them living ”in Hel, the heathen hades” (Grimm, 1888, p446). Grimm also questions whether the Dökkálfar should be separated from the nâir or whether “[t]he dusky elves are souls of dead men…” (Grimm, 1888, p 447). There is some strong evidence that the Dökkálfar were the mound dead or male ancestors and the Dökkálfar are sometimes called Mound Elves; it is not certain however and it may be that some Dökkálfar are human dead but others are not.

Svartálfar – meaning ‘black elves’ they possess their own world, Svartálfheim [black elf home]. The Duergar or Dwarves also live in Svartálfheim creating a longstanding confusion about whether Svartálfar are truly elves in their own right or are actually another name for Dwarves. Both are associated with mountains and mountainous regions, but seem to have a distinct and separate focus in activities and interactions with people. Grimm believes that the Svartálfar were good natured beings and argues that they received worship from people into the 19th century.

The Álfar and the Duergar – elves and dwarves – are also difficult groups to entirely sort out. On one hand there are some good arguments that the two may actually be the same, with Svartálfar and potentially Dökkálfar both simply being alternate names for deurgar. This is supported by three main things: many deurgar have names that incorporate the word ‘álf’ such as Vindalf and Gandalf; the Svartálfar were said to live in Svartálfheim but the deurgar live there as well; and the svartalfar and Dökkálfar were said to live beneath the ground or in mounds. However there is also evidence that might support the argument that the two groups were separate, including that they are occasionally referenced in the same work together as different groups. In verse 25 of Hrafnagaldr Óðins we see the Dökkálfar being grouped together with giants, dead men, and dwarves: “gýgjur og þursar, náir, dvergar og dökkálfar” [Giantesses and giants, dead men, dwarves and dark elves]. This would at the least seem to indicate some degree of separation between Duergar and Dökkálfar. In the Alvissmal it is also established that the Álfar and Duergar have different languages and kennings for things, which would also indicate separation of the two groups (Gundarsson, 2007). For the most part the Álfar would seem to be beings closely tied to the Gods, perhaps one step beneath them in power and influence, beings who can influence weather and possess powerful magic that can effect people’s health. The Duergar are associated with mining and smithcraft and are not as closely tied to the Gods; when they appear in myth dealing with the Gods they must always be negotiated with or otherwise dealt with in some fashion diplomatically.

The Álfar are a complicated and fascinating group in mythology and I have barely touched on them here. Consider this merely a brief introduction to some basic ideas about the Álfar as they appear in Norse mythology but bear in mind that they can be found throughout Germanic/Norse folklore. they are beings that are both benevolent and dangerous as the mood suits and depending on how they are treated, like the elves found across folklore.

Further Resources:

Ljösalfar, Dökkalfar & Alfheim: 7 Unknowns about Norse Elves

Svartálfar

Medieval Scandinavian Elves and Dwarves

Elves are Fairies? Wait, what?

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Nehalennia: Dutch Goddess of the North Seas

A couple of years ago I learned about the little know Dutch Goddess of the North seas, Nehalennia. Since my main deities are Gods and Goddesses of the seas I had to dive into who this Goddess is and her importance. Nehalennia is the Goddess of the North seas, Sailors, fortune at sea, safe passage at sea and sometimes considered a Goddess of life and death. She is also considered to be a Mothergoddess. So in many ways you can see similarities between Nehalennia and the Norse God Njordr, Ægir and the Goddess Rán. I always like to give lesser known Gods and Goddesses the spotlight they deserve and Nehalennia definitely deserves such honor.

In 1645 a large part of the Zeeland Dunes in Domburg were eroded due to a huge storm. What they found were altarstones or votive stones dedicated to the Goddess Nehalennia. These stones dated back to the second and third century BC. They also find the remains of a Temple. Which suggests that there once was a Temple dedicated to Nehalennia there. Although it is still not known whether this Goddess was Celtic or Germanic, it is known that the Romans in the area worshipped this Goddess. The texts on the votive stones are in Latin. Therefore it is thought that Nehalennia is the name the Romans gave to the Goddess. The stones found in Domburg were displayed in the church, which turned into a sort of museum. However in 1848 lightning struck the church tower, burning it to the ground. Most stones were destroyed.

In 1970 a fisherman at Colijnsplaat in Zeeland noticed four large stones in his fishing net. He decided to take them to shore and showed them to a lot of people. They recognized the name Nehalennia, which was still readable on one of the stones. In the years after this discovery they excavated more of these votive stones, together with pieces of building materials. Suggesting that here too, once a Temple dedicated to the Sea Goddess stood. SOURCE.

Nehalennia Dutch Goddess Statue, Colijnsplaat. Date
ca. 100 CE–ca. 250 CE
Nehalennia, a Dutch Goddess Kindle Edition
by Ingrid de Haas

Further Resources:

Nehalennia (Celtic: “she of the sea”): ancient goddess, venerated in the Roman age at the mouth of the river Scheldt.

A Dutch Goddess, Nehalennia

Nehalennia – the ‘Cailleach’ of Zeeland?

Nelahennia is a native Dutch Goddess

Ancient Goddesses Indigenous to The Netherlands: Nehalennia, Hludana and Tanfana

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The Legendary Viking Berserkers

One of the most well known yet still much unknown warriors of ancient times are the Berserkers (Berserkr) of the Viking Age. These fierce warriors said to go into an animalistic rage and even trance like in ferocity would bang their axes against their shields and would even chew on their shields whilst gnashing their teeth. They are mentioned in the Sagas and even an account of one famous Berserker who held off an army at the Battle of Stamford Bridge. So let us now dive into the what is known and what is thought of these ancient Special Ops warriors of the North.

Hrolf’s Saga tells of the hero Bjarki, who takes on the shape of a bear in battle:

Men saw that a great bear went before King Hrolf’s men, keeping always near the king. He slew more men with his forepaws than any five of the king’s champions. Blades and weapons glanced off him, and he brought down both men and horses in King Hjorvard’s forces, and everything which came in his path he crushed to death with his teeth, so that panic and terror swept through King Hjorvard’s army…” (Gwyn Jones. Eirik the Red and Other Icelandic Sagas. NY: Oxford Univ. Press. 1961. p. 313).

Another Óðinnic quality possessed by the berserk is a magical immunity to weapons. In Havamál, Óðinn speaks of spells used to induce this immunity:

A third song I know, if sore need should come
of a spell to stay my foes;
When I sing that song, which shall blunt their swords,
nor their weapons nor staves can wound
….
An eleventh I know, if haply I lead
my old comrades out to war,
I sing ‘neath the shields, and they fare forth mightily;
safe into battle,
safe out of battle,
and safe return from the strife.
(Lee M. Hollander, trans. Poetic Edda. Austin.
Univ. of Texas Press. 1962. pp. 44-45)

The berserk was sometimes inherently possessed of this immunity, or performed spells to induce it, or even had special powers to blunt weapons by his gaze. Many tales say of their berserkers, “no weapon could bite them” or “iron could not bite into him.” This immunity to weapons may also have been connected with the animal-skin garments worn by the berserk. As we saw above, while in animal form, “blades and weapons glanced off” Bodvar Bjarki. Similarly, Vatnsdæla Saga says that “those berserks who were called ulfhednar had wolf shirts for mail-coats” (Ellis-Davidson, “Shape Changing,” p. 133). This concept of immunity may have evolved from the berserker’s rage, during which the berserk might receive wounds, but due to his state of frenzy take no note of them until the madness passed from him. A warrior who continued fighting while bearing mortal wounds would surely have been a terrifying opponent. SOURCE

The mushroom Amanita muscaria is known to have hallucinogenic properties and is theorized to have been consumed by Berserkers.

Viking berserkers may have used henbane to induce trance-like state

It tells of the exploits of King Hrolf and of his famous champions, including Bodvar Bjarki, the ‘bear-warrior’
The Lewis Chessmen, discovered in Scotland but believed to be Norwegian, date to the 12th century and include a number of pieces showing wild-eyed berserkers biting their shields.

Further Resources:

The Viking Berserkers Were Norse Warriors Who Entered A Trance-Like Rage During Battle

Berserker: Norse Warrior

Viking Age Berserkers

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Web of Wyrd: The Symbol of Fate Explained

I have been asked a lot lately about the more modern symbol used within the Norse Pagan community known as the Web of Wyrd so today I will do just that. The symbol itself first appeared in print in the 1990s but the term Web of Wyrd or spining the web of Wyrd (fate) can be found mentioned in several poems and Sagas such as the Helgakviða Hundingsbana I – The First Lay of Helgi the Hunding-Slayer, Darraðarljóð (Song of Darraðar) and Völundarkviða – The Lay of Völund. It can also be said that this symbol is made up of the entire Elder Futhark Runes which can easily be seen.

The first known appearance of the symbol occurs in German occultist Jan Fries’s Helrunar: A Manual of Rune Magick (1993, Mandrake of Oxford). Two versions of form A occur within the book: Form A.1. appears on the book’s cover, A.2. on its title page, and A.1. appears again on page 326.

The book itself contains a variety of references to English occult figure Aleister Crowley, typical of English language European occult circles in the early 1990s. While Fries’s book contains three instances of the symbol, nowhere in Helrunar does Fries mention or otherwise discuss it. Whether the symbol originates from this text or was otherwise known in occult (and modern pagan circles) at the time remains unclear. Continue reading HERE.

Wyrd is a concept at the theological heart of Ásatrú and Heathenry. For many of those who practice one of the modern forms of the Old Way, wyrd is a core element of worldview. It stands behind, runs through, and supports our words and deeds. It connects each individual’s present moment to her past actions and to the actions of those around her. It forms a constantly shifting matrix that connects us all as we move through our intersecting lives.

The word wyrd itself comes from the Anglo-Saxon. In the main volume of An Anglo-Saxon Dictionary by Joseph Bosworth and T. Northcote Toller, the first translation given for wyrd is “what happens,” followed by “fate, fortune, chance.” In the dictionary’s supplement, additional translations are presented: “what is done, a deed, an action.”

The Old Norse cognate for the term is urðr, which An [Old] Icelandic-English Dictionary by Richard Cleasby and Guðbrandur Vigfússon translates as “a weird, fate.” The same word is used in medieval Icelandic literary sources as the name for one of the three Norns who sit at the well under a root of the World Tree and “shape men’s lives.”

The Oxford English Dictionary entry for weird gives a wide range of definitions, including “the principle, power, or agency by which events are predetermined,” “that which is destined or fated to happen to a particular person,” “what one will do or suffer,” and “a happening, event, occurrence.” SOURCE.

Further Resources

The web of Wyrd, the matrix of fate (Skuld’s Net)

The Web of Wyrd Symbol, Meaning And Origins Explained

The Web of Wyrd

Web of Wyrd & Fate

The Web of Wyrd – Yggdrasil – The Tree of Life



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Njordr: Norse Sea God of Wealth and Sailors

Being a man of the sea myself I have always felt my strongest connections to the Gods and Goddesses of the sea and one specifically I wanted to feature today is Njordr (Njörðr in Old Norse). Njordr is the sea God of wealth (specifically at sea), the sea and seafarers. Still to this day in such places as Iceland where fishing is very much an essential part of life, Njordr is considered a very important God of the sea. Njordr is well know in the Eddas for his relationship with Skadhi. I have always felt Njordr is not discussed as much as he should so I compiled in my opinion the best online resources for you to explore.

Njorð is of the race of Vanir and is the father of Freyr and Freyja. He is the god of the sea. He calms storms, aids ships in distress, and causes favorable winds to blow. As with the other Vanir, Njorð is a fertility god, capable of providing good fortune in the form of safe sea voyages, wealth, and land.

When hostages were exchanged at the end of the war between the Æsir and the Vanir, Njorð and his two children came to live in Ásgarð with the Æsir. The mother of Freyr and Freyja was probably Nerthus, Njorð’s sister. Æsir disapproval of such practices prevented her from coming to Æsir with the rest of the family. Later, Njorð married a second time. Snorri Sturluson tells the story in Skáldskaparmál.

When Þjazi, the giant who kidnapped Idun, did not return home after giving chase to Idun and her rescuer Loki, Þjazi’s daughter Skadi began to worry for his safety. Soon, she realized that he must be dead. Swearing vengeance, she took up her father’s arms and traveled to Ásgarð.

Heimdall saw her approach and sounded a warning. Several of the gods went out to meet her. Having no wish to prolong the feud, the gods asked if she would accept wergild (gold as payment for her father’s death).

Skadi said she would settle instead for a husband of her choice from amongst the gods. The gods agreed, provided that Skadi chose her husband by looking only at his feet. Continue reading HERE.

Njörd’s desire of the Sea (1908) by W. G. Collingwood
Njord Sea God Norse Mythology

Ship Herd

The gulls bring word of you who widely fares

to tell the fishes where to find our net;

they’ve come from Noatun to claim their shares,

like you at home both in the dry and wet.

Within your waters play the Sisters Nine

who bask in rising Sunna’s brilliant blush,

as waves frolic in the golden shine

until the purple nightfall’s gentle hush.

O tranquil Lord of seven surging seas,

send wind to fill our sails, and grant us all

to pass to our ports with grace and ease

over the depths of Ran’s and Aegir’s Hall.

And let us in the midst of storms be stout,

firm as an anchor in the shifting sands,

that change and stay the same, tide in, tide out,

beneath your briny realm that bounds the lands.

© 2009 Michaela Macha of Odin’s Gifts

Further Resources

Njordr Online Shrine

Njord

Norrøn mytologi Njord

Njord: The Tumultuous Marriage of a Norse God of the Sea and a Goddess Giantess

Norse Mythology for Smart People: Njord

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Encyclopedia of Norse and Germanic Folklore

It has been a while since I posted a book recommendation so here we go with this true literature gem. Encyclopedia of Norse and Germanic Folklore, Mythology and Magic by Claude Lecouteux is a book filled with such great details and images it is one I refer to often as a great resource. Not only does this encyclopedia give brief yet detailed descriptions of every know God and Goddess of the Norse and Germanic pantheons but also of places, creatures and other things from the Böxenwolf, the Werewolves of Northern Germany, to the Goddess Sinthgunt, Goddess of the Cosmos and time, plus so much more. This brilliant book is one I highly recommend for the personal library of anyone who has interest in this subject.

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Úlfheðnar: The Wolf Spirit Warriors

The Úlfheðnar (Ulfhednar) from Viking age history was actually chronicled during the Viking Age and they have been described with definite specifics. A fascinating “Special Forces” of the Viking forces during raids and even on homelands these warriors were said to have a spiritual ability to shapeshift into Wolves. Many like to adopt the title of Úlfheðnar in modern times but my personal opinion is that is as ridiculous as someone calling themselves a modern Viking. I will expand on this opinion in a future Blog post. Now I for one am of the Wolf Spirit animal kind and give much respect to that which is why I feel this post must be looked upon as what once was and preserved with due respect.

The oldest extended description of Viking beast men comes from a 9th-century poem called Haraldskvæði, describing the army of Harald Fair-Hair:

   I’ll ask of the berserks, you tasters of blood,
   Those intrepid heroes, how are they treated,
   Those who wade out into battle?
   Wolf-skinned they are called. In battle
   They bear bloody shields.
   Red with blood are their spears when they come to fight.
   They form a closed group.
   The prince in his wisdom puts trust in such men
   Who hack through enemy shields.

The four Torslunda plates, Knut Stjerna (1874–1909) – Knut Stjerna, “Hjälmar och svärd i Beovulf” (1903)

The Ulfhednar wore wolfskins (Wolf-shirts, vargstakkar) over coats of mail, and unlike the Berserkers, who fought as squads, entered combat singly as guerrilla fighters. There were also the Ulfhamir, the wolf-shirts, who are believed to have fought, like the Berserkers, without armor.

Some had hammered, metal plates on their helmets used to magically protect them. There is a carving from the eleventh century showing these warriors. It depicts a wolf-mask with a human head looking out and armed with a spear.

Similar masks are used by shamans, acting as spirit receptacles when worn. One of the by-names of Odin, Grim, means ‘the masked one’ and the old Norse warriors wore a literally grim visage when going about their business.

The Ulfhednar used the superhuman strength of the wolf as their basis for martial arts. Their techniques were fraught with dangers, especially for the uninitiated.

From the Volsunga Saga we can learn some secrets about the Ulfhednar. Sigmund and his son put on wolf skins, agreed to follow certain rules when they fought, ‘They spoke in wolf-language,’ both understood that speech. The wolf-language is a form of ‘call’ like the Kiai of oriental martial arts, which has a momentary lowering of the blood pressure of opponents, allowing the warrior to strike. “The Beserks bayed…..the Ulfhednar howled!”

The tradition of the wolf-warriors is not just Nordic. A wolf-like cult is also ascribed to the Celtic race. From the Irish book, “The Wonders of Ireland”, “For by an evil craft they can at will change themselves into the shape of wolves with sharp tearing teeth.”

Feats of arms attributed to members of these warrior clans, and also others bearing names of wolf and bear, are legendary. The greatest Anglo-Saxon poem is about a wolf-cult warrior; “Beowulf”. Beowulf is a compound name composed of the Saxon fertility god, Beow and the wolf. SOURCE

Úlfhednar, Wolf Warriors

Beast Men: Berserkir and Úlfhéðnar in the Viking Age

Úlfhéðnar, Werewolves, Warriors and Winter Sacrifices

About Ulfhednar

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Huldra – The Seductive Forest Lady

A Huldra is a dangerous seductive forest creature found in Scandinavian folklore. She is a member of a family of a very ancient beings that inhabit the forest, but remain hidden from humankind.

In Scandinavian folklore, the Huldra (Norwegian, derived from a root meaning “covered,” “hidden,” or “secret”) is a very elusive and seductive creature of the forest. The huld-rå being is a rå, which is a keeper or warden of a particular location or land-form. The different species of rå are sometimes distinguished according to the different spheres of nature with which they were connected, such as Skogsrå or Huldra (forest), Sjörå (freshwater) or Havsrå (saltwater), and Bergsrå (mountains).

Other names include: Huldra, huldrå, Hylda, Skogsrå or Skogsfru/Skogfru (meaning ‘lady (ruler) of the forest’ or ‘forest wife/woman/spirit’) and Tallemaja (‘Pine Tree Mary’). They are often referred to as Ulda by the Sámi.

As a whole, they are known as Huldrefolk or Huldufólk. They are hidden folk of the forest. Her name suggests that she is originally the same being as the Völva Huld and the German Holda. “In Scandinavian mythology, Huld is only referenced by Völva or Seiðkona, which is a woman who practiced the Seiðr. She is mentioned in Icelandic tales and sagas, such as the Ynglinga saga, Sturlunga saga and a late medieval Icelandic tale. One source states that she is Odin’s mistress and the mother of the demi-goddesses Þorgerðr Hölgabrúðr and Irpa. As her name suggests, Huld may be in origin the same being as the Huldra and the German Holda.” <Nordisk familjebok (1909)>

The males are called Huldrekall (hulder man), Huldu, or Huldrekarl are often said to be hideous in appearance and have grotesquely long noses.

A Swedish forest spirit visiting a charcoal burner. Illustration by Per Daniel Holm, from Svenska folksägner, Herman Hofberg (1882), Public Domain.

The Huldra (forest woman)

Huldra/skogsrå, The Scandinavian Goddesses

Skogsrået

Huldra – Norse Forest Lady

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Uppsala – History, Legends and More

The Temple of Uppsala

Around the year 1070, Adam of Bremen described the great pagan cult center of Uppsala, Sweden in his work Gesta Hammaburgensis ecclesiae pontificum, the most famous source to pagan ritual practice in Sweden. It was written with the agenda of showing how barbaric and immoral were the practices and religion of the pagans, in defense of the still somewhat fragile position of the Christian church in Sweden at the time. Thus it cannot be read as an objective source to paganism, but rather as a strongly biased attack on paganism. Yet it is one of the only sources we have, and must make do with. The temple of Uppsala is described in the fourth book, chapter 26:

“This people have a widely renowned sanctuary called Uppsala. By this temple is a very large tree with extending branches. It is always green, both in winter and in summer. No one knows what kind of tree this is. There is also a spring there, where the heathens usually perform their sacrificial rites. They throw a live human being into the spring. If he does not resurface, the wishes of the people will come true.

The Temple is girdled by a chain of gold that hangs above the roof of the building and shines from afar, so that people may see it from a distance when they approach there. The sanctuary itself is situated on a plain, surrounded by mountains, so that the form a theater.

It is not far from the town of Sigtuna. This sanctuary is completely covered with golden ornaments. There, people worship the carved idols of three gods: Thor, the most powerful of them, has his throne in the middle of the hall, on either side of him, Odin and Freyr have their seats. They have these functions: “Thor,” they say, “rules the air, he rules thunder and lightning, wind and rain, good weather and harvests. The other, Odin, he who rages, he rules the war and give courage to people in their battle against enemies. The third is Freyr, he offers to mortals lust and peace and happiness.” And his image they make with a very large phallus. Odin they present armed, the way we usually present Mars, while Thor with the scepter seems to resemble Jupiter. As gods they also worship some that have earlier been human. They give them immortality for the sake of their great deeds, as we may read in Vita sancti Ansgarii that they did with King Eirik.”

The following is largely quoted, or abridged from the book Frey’s Offspring: Rulers and Religion in Ancient Svea Society by Olaf Sundqvist (2002) p.  94-136. Most of the evidence and copious examples have been truncated or omitted. Please refer to the original text for details:

“Gamla Uppsala is one of the most complex archaeological monuments in Scandinavia. The finds are sufficient for it to be considered a central place during the entire Late Iron Age. The mounds, boat-graves, traces of hall(s) and the wall to the north indicate the presence of a ruling stratum at least from the 5th or the 6th century. These finds, together with the phosphate values at the Eastern Mound and the Middle Mound, may also indicate ritual activity. Archeological analysis shows the site has been settled since the Roman period. It is an important site from at least the Migration Period up to the Middle Ages, though it may have experienced some troughs during the 9th century, after the hall on the southern plateau was burnt down.” SOURCE

Offering by Johann Lund 1831, depicting a horse being led to a statue of Thor for sacrifice.

Resources:

The Viking Age Temple at Gamla Uppsala

The Royal Mounds of Gamla Uppsala, Ancient Pagan Site of Sweden

Human Sacrifices?

The Temple at Uppsala

The Viking temple of Uppsala

Vikings in Uppsala

Pre-Viking Grave in Uppsala Reveals Ornate Sword and Jewelry

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Cernunnos – The Celtic Horned God

The Celtic God Cernunnos is a god I feel is somewhat neglected and even misunderstood in modern times by many even though he is a very important and powerful God of the Celtic pantheon. Also I have a few friends who work closely with the Horned God and I myself have studied much about him as well as created things dedicated to him. So with that said I felt it was important to put together this post regarding Cernunnos.

Cernnunos Sleeps

The Old God sleeps

down in the dark, moist,

odorous underfoot,

Waiting for us

To put down our roots.

Cernnunos Sleeps by C. Hue Bumgarner-Kirby

At the Sacred Centre, in the Grove of all Worlds, He sits with legs crossed beneath an ancient Oak. Entranced, connecting the three worlds Earth, Sea, and Sky, and the worlds behind the worlds, the god and the Great Tree are One, His immense limbs widespread, stretching into distant sky and starry space.

His massive trunk, spine of the Middleworld, is the heart of the Ancient Forest around which all Life, all worlds turn; His limitless root web growing deep into secret earth and Underworld; above him the great turning circles of Sun, Moon, and Stars. All around Him subtle movements of the leaves in melodious, singing air; everywhere the pulsing, gleaming Green awash in drifts of gold and shimmering mist; beneath Him soft moss creeping over the dark, deep, moist of spawning earth. At His feet is the great Cauldron from which the Five Rivers Flow.

Through the forest stillness they come, whispering wings and secret glide, rustling leaves, and silent step, the first Ancestors, the Oldest Animals, to gather around Him: Blackbird, Keeper of the Gate; Stag of Seven Tines, Master of Time; Ancient Owl, Crone of the Night; Eagle, Lord of the Air, Eye of the Sun; and Salmon, Oldest of the Old, Wisest of the Wise leaping from the juncture of the Five Springs. He welcomes them and blesses them, and they honour Him, Cernnunos of the nut brown skin and lustrous curling hair; the god whose eyes flash star-fire, whose flesh is a reservoir of ancient waters, His cells alive with Mystery, original primeval essence. Naked, phallus erect, He wears a crown of antlers limned in green fire and twined with ivy. In his right hand the Torq of gold, testament of his nobility and his sacred pledge; in his left hand the horned serpent symbol of his sexual power sacred to the Goddess. Cernnunos in His Ancient Forest, His Sacred Temple, His Holy Grove, Cernnunos and His children dream the Worlds. Continue reading HERE.

Cernunnos from the Pillar of the Boatmen, in the Museum of the Middle Ages, Paris, France

Cernnunos Chant

‘Cern-nu-noh-oh-oh-oh-os

Stag Horned Hunter, Hunted One

Join Us Now

Cer-nu-noh-oh-oh-oh-os

Greenwood Lord of Life and Death

Join Us Now

Cern-nu-noh-oh-oh-oh-os

Herne and Pan and Every Man

Join Us Now’

Who is the Horned God?

Cernunnos – Celtic god of forests, wild animals, vegetation, virility, and fertility

Cernunnos Celtic God: 8 Ways to Work with the Horned God

Faces of the Horned God: Cernunnos

ΚΑΡΝΟΝΟΥ: to CARNONOS