Rune Kennings are associated with ancient Icelandic poetry but can also be found in such tales as the famous Anglo-Saxon poem of Beowulf. But they certainly are most prevalent with Runic text of Iceland.
I have studied them for years now and still continue to explore deeper into them even to the point of creating my own.
Two books which you can find a great list of Rune Kennings areSorcerer’s Screed: The Icelandic Book of Magic SpellsandIcelandic Magic: Practical Secrets of the Northern Grimoires.
The Celts, also spelled Kelt, Latin Celta, plural Celtae were a collection of tribes which it is said originated in Central Europe but quickly expanded from the British Isles all the way to the Mediterranean. They even built a massive and vast roadway system long before the Roman Empire. In fact many of the Roman roads were built over ancient Celt roads. The Celts were not just known as fierce warriors but as amazing craftsman making the most intricate of jewelry, weapons and wares. It is believed they came into existence around 1200 BCE and became a true power throughout Europe controlling the regions of Northern Europe north of the Alps up to Great Britian and Ireland in the 3rd Century BCE.
Below is my favorite BBC documentary series that in my opinion covers the vast history of the Celts like none other.
At the bottom are several links as well for reading further on the Celts.
The Scythians (pronounced ‘SIH-thee-uns’) were a group of ancient tribes of nomadic warriors who originally lived in what is now southern Siberia. Their culture flourished from around 900 BC to around 200 BC, by which time they had extended their influence all over Central Asia – from China to the northern Black Sea.
The Greek historian Herodotus, in his Histories (Book 4, 5th century BC), wrote: ‘None who attacks them can escape, and none can catch them if they desire not to be found.’ Assyrian inscriptions from the 7th century BC also refer to fighting Scythians, with one mentioning a peace treaty secured by marrying off an Assyrian princess to a Scythian king.
When the Scythians weren’t being hide and seek champions, or being fobbed off with foreign princesses, they even developed a powerful new type of bow which was made from different layers of wood and sinew. It was much more powerful than a regular wooden bow, as the different layers increased the forces and energy when the string was released.
The first systems of writing developed and used by the Germanic peoples were runic alphabets. The runes functioned as letters, but they were much more than just letters in the sense in which we today understand the term. Each rune was an ideographic or pictographic symbol of some cosmological principle or power, and to write a rune was to invoke and direct the force for which it stood. Indeed, in every Germanic language, the word “rune” (from Proto-Germanic *runo) means both “letter” and “secret” or “mystery,” and its original meaning, which likely predated the adoption of the runic alphabet, may have been simply “(hushed) message.”
Each rune had a name that hinted at the philosophical and magical significance of its visual form and the sound for which it stands, which was almost always the first sound of the rune’s name. For example, the T-rune, called *Tiwaz in the Proto-Germanic language, is named after the god Tiwaz (known as Tyr in the Viking Age). Tiwaz was perceived to dwell within the daytime sky, and, accordingly, the visual form of the T-rune is an arrow pointed upward (which surely also hints at the god’s martial role). The T-rune was often carved as a standalone ideograph, apart from the writing of any particular word, as part of spells cast to ensure victory in battle.
The runic alphabets are called “futharks” after the first six runes (Fehu, Uruz, Thurisaz, Ansuz, Raidho, Kaunan), in much the same way that the word “alphabet” comes from the names of the first two Semitic letters (Aleph, Beth). There are three principal futharks: the 24-character Elder Futhark, the first fully-formed runic alphabet, whose development had begun by the first century CE and had been completed before the year 400; the 16-character Younger Futhark, which began to diverge from the Elder Futhark around the beginning of the Viking Age (c. 750 CE) and eventually replaced that older alphabet in Scandinavia; and the 33-character Anglo-Saxon Futhorc, which gradually altered and added to the Elder Futhark in England. On some inscriptions, the twenty-four runes of the Elder Futhark were divided into three ættir (Old Norse, “families”) of eight runes each, but the significance of this division is unfortunately unknown.
Runes were traditionally carved onto stone, wood, bone, metal, or some similarly hard surface rather than drawn with ink and pen on parchment. This explains their sharp, angular form, which was well-suited to the medium.
Much of our current knowledge of the meanings the ancient Germanic peoples attributed to the runes comes from the three “Rune Poems,” documents from Iceland, Norway, and England that provide a short stanza about each rune in their respective futharks (the Younger Futhark is treated in the Icelandic and Norwegian Rune Poems, while the Anglo-Saxon Futhorc is discussed in the Old English Rune Poem).
I want to welcome you to my website of the Úlfsvættr Craftsman. This is the culmination after years of study and working to fine tune my craft in order to produce the highest of quality. Items that easily could become heirlooms passed on to younger generations. But more than that is this Blog where I have so much I want to share with you from my vast experiences and wide variety of knowledge crammed packed into my mind. I hope you enjoy what you see and in some way whether you visit to browse my shop, look through the gallery or just read through this Blog which will be added to four times a month. In time or perhaps by the time you are reading this I will also have a newsletter available as well. Thank you again for taking the time to read this welcome message and remember to always “Keep the Primal Side Alive.”